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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Emily Kam Kngwarray, Tate Modern review - glimpses of another world

Friday, 11 July 2025 Read more...

Kiefer / Van Gogh, Royal Academy review - a pairing of opposites

Saturday, 05 July 2025 Read more...

Jenny Saville: The Anatomy of Painting, National Portrait Gallery review - a protégé losing her way

Friday, 04 July 2025 Read more...

Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

Monday, 23 June 2025 Read more...

Edward Burra, Tate Britain review - watercolour made mainstream

Wednesday, 18 June 2025 Read more...

Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful world

Tuesday, 17 June 2025 Read more...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review - teeth with a real bite

Saturday, 14 June 2025 Read more...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute kids

Thursday, 12 June 2025 Read more...

Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

Saturday, 07 June 2025 Read more...

Bogancloch review - every frame a work of art

Saturday, 31 May 2025 Read more...

The Last Musician of Auschwitz review - a haunting testament

Tuesday, 13 May 2025 Read more...

Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

Friday, 02 May 2025 Read more...

Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

Friday, 04 April 2025 Read more...

Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

Monday, 03 March 2025 Read more...

Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

Wednesday, 26 February 2025 Read more...

Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

Saturday, 22 February 2025 Read more...

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“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song...

BBC Proms: Akhmetshina, LPO, Gardner review - liquid luxurie...

Water surged through this Prom from first spray to last drop....

theartsdesk Q&A: actor Leonie Benesch on playing an over...

The German actor Leonie Benesch has an issue with...

Freakier Friday review - body-swapping gone ballistic

Before Freakier Friday there were the two film versions of Freaky Friday based on Mary Rodgers’s lively, perceptive 1972 Young...

theartsdesk in Kovachevitsa - top Bulgarians and friends mak...

Performers and public alike always treasure a beautiful and, in this case, remote setting for a music festival. But people matter as much as sense...

Edinburgh Fringe 2025 reviews - Lily Blumkin / Shamik Chakra...

Lily Blumkin, Gilded Balloon @ Patter House ★★★ 

Lily Blumkin...

Budapest Festival Orchestra, Iván Fischer, Edinburgh Interna...

Fresh from their triumph at the Proms, the Budapest Festival Orchestra arrived at the Edinburgh International Festival with a programme that...

Tom at the Farm, Edinburgh Fringe 2025 review - desire and d...

As shockingly beautiful as it is horrifyingly brutal, actor Armando Babaioff’s deeply Brazilian adaptation of thriller Tom at the Farm...