Features & Interviews
'Classic-era prog’s Olympian pinnacle': Pink Floyd's 'Echoes' returns in their restored Pompeii concert film and as Nick Mason's band's vinyl hit
Friday, 09 May 2025
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of 1971’s Meddle, is having a moment. Nick Mason’s Saucerful of Secrets released a sensational one-sided 12-inch vinyl version of the track on Record Store Day, April 12.
First Person: young cellist Zlatomir Fung on operatic fantasies old and new
Tuesday, 06 May 2025
My new album, Fantasies, recorded with pianist Richard Fu, is the culmination of my years-long fascination with the wonderful genre of instrumental opera fantasies. I first fell in love with opera fantasies while attending summer music camps as a teenager. Franz Waxman and Pablo De Sarasate’s fantasies on Bizet’s Carmen were staples of the summer festival repertory of my violin-playing peers, and they were my first exposure to this sub-genre.
First Person: rising folk star Amelia Coburn on...
Thursday, 01 May 2025
“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year. While living in Paris a few...
First Person: St John's College choral...
Saturday, 19 April 2025
When I arrived at St John’s College, Cambridge, in April 2023, it was a daunting prospect to be taking over the reins of a choir with such a...
First Person: singer-songwriter David Gray on how...
Thursday, 13 March 2025
Occasionally, when I pass my own reflection, out of the corner of my eye I catch a glimpse of the likeness of my father, shining out through the...
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Oscars 2025: long day's journey into 'Anora'
'Anora' creator Sean Baker wins four trophies in a night full of firsts - and a second trophy for Adrien Brody |
First Person: writer Lauren Mooney on bringing bodies together in the new Royal Court play, 'More Life'
Kandinsky Theatre co-creator on a new play tethering technology to existence |
David Lynch: In Dreams (1946-2025)
The director, who has died aged 78, rewired cinema with nightmare logic, an underground ethos and weird, wondrous innocence |
Best of 2024: Books
As 2024 comes to an end, we look back at the books that have thrilled and enthralled us |
Best of 2024: Film
theartsdesk's movie critics pick their favourites from the last 12 months |
First Person: cellist Matthew Barley on composing and recording his 'Light Stories'
Conceived a year ago, a short but intense musical journey |
First Person: singer-songwriter Sam Amidon on working in Dingle with Teaċ Daṁsa on 'Nobodaddy'
Michael Keegan-Dolan’s mind-boggling total work of art arrives at Sadlers Wells this week |
First Person: Alec Frank-Gemmill on reasons for another recording of the Mozart horn concertos
On ignoring the composer's 'Basta, basta!' above the part for the original soloist |
'His ideal worlds embraced me with their light and love': violinist Irène Duval on the music of Fauré
On the centenary of the great French composer's death, a fine interpreter pays homage |
Documentary highlights from the 2024 London Film Festival
A close look at insightful new non-fiction films about single motherhood, visionary photographers, scam artists, legacies of colonialism, and more |
First Person: Bob Riley on Manchester Camerata's championship of a Centre of Excellence for Music and Dementia
Making a difference out of the musical ghetto |
First Person: Lindsey Ferrentino on the play that has led Adrien Brody to the London stage
The American dramatist on bringing 'The Fear of 13', and its Oscar-winning lead, to the Donmar |
First Person: Tim Etchells on 40 years of making a noise with Forced Entertainment
The experimental theatre company marks four decades with its new production 'Signal to Noise' |
First Person: conductor Robert Hollingworth on a four-choir rarity by Benevoli
I Fagiolini join with two other choirs for a spectacular in St Martin-in-the-Fields |
10 Questions for Black String’s Youn Jeong Heo
K-Music special: The founder of Korea’s finest quartet discusses their intense and otherworldly music |
theartsdesk in Bradford - Leeds International Piano Competition 2024 finalists shine in St George's Hall
A clear winner, but all pianists worked superbly with a great conductor and orchestra |
First Person: soprano Elizabeth Atherton on the decimation of the classical music sector in Wales
Singer who began her career on contract with Welsh National Opera clarifies savage cuts by Welsh and English Arts Councils |
The law's sick voyeurism - director Cédric Kahn on 'The Goldman Case'
Kahn's drama about the 1976 trial of Pierre Goldman mirrors conflicts in modern France |
Here comes the flood: Bob Dylan's 1974 Live Recordings
Night after night: Sony's latest gargantuan release from the vaults |
First Person: Alexandra Dariescu on highlighting women at the Leeds International Piano Competition
A distinguished pianist fights for more balanced international programming |
theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works
Two summer festivals find ever new ways to make each concert a memorable event |
theartsdesk at Jaminaround 2024 - preview of the unique Dorset venue's second edition
A music venue that prizes intimacy |
theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia
Bolshoi superstar who made her name in London returns with a new generation |
The Micro Golden Age of Mid Eighties Fantasy Films
They don't make 'em like 'The NeverEnding Story', 'Labyrinth', and 'Legend' anymore |
The future of Arts Journalism
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