thu 03/07/2025

Reviews

'We are bowled over!' Thank you for your messages of love and support

Tom Birchenough

We are bowled over! 

The Shrouds review - he wouldn't let it lie

James Saynor

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers (1975), and that slippery adage could sum up more than a few of the Canadian sensationalist’s movies in the past 50 years – not least his latest, The Shrouds, which was in competition at Cannes last year.

Jurassic World Rebirth review - prehistoric...

Adam Sweeting

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with pizzazz by...

Semele, Royal Opera review - unholy smoke

David Nice

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy ending,...

Sudan, Remember Us review - the revolution will...

Hugh Barnes

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir, hoping...

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Le nozze di Figaro, Glyndebourne review - perceptive humanity in period setting

David Nice

Mostly glorious cast, sharp ideas, fussy conducting

Quadrophenia, Sadler's Wells review - missed opportunity to give new stage life to a Who classic

Helen Hawkins

The brilliant cast need a tighter score and a stronger narrative

Fidelio, Garsington Opera review - a battle of sunshine and shadows

Boyd Tonkin

Intimacy yields to spectacle as Beethoven's light of freedom triumphs

Summer Laugh review - five comics gear up for the Fringe

Veronica Lee

Terrific initiative by Scottish stand-ups

Album: Brìghde Chaimbeul - Sunwise

Kieron Tyler

A singular sonic auteur reshapes traditional Celtic music

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Kieron Tyler

How ‘A Whiter Shade of Pale’ transformed a London mod-pop band

Intimate Apparel, Donmar Warehouse review - stirring story of Black survival in 1905 New York

Helen Hawkins

An early Lynn Nottage work gets a superb cast and production

Hercules, Theatre Royal Drury Lane review - new Disney stage musical is no 'Lion King'

Gary Naylor

Big West End crowdpleaser lacks punch and poignancy with join-the-dots plotting and cookie-cutter characters

Chicken Town review - sluggish rural comedy with few laughs (and one chicken)

Helen Hawkins

A comedy great gets lost in an English backwater

Aldeburgh Festival, Weekend 2 review - nine premieres, three young ensembles - and Allan Clayton

David Nice

A solstice sunrise swim crowned the best of times at this phoenix of a festival

F1: The Movie review - Brad Pitt rolls back the years as maverick racer Sonny Hayes

Adam Sweeting

Joseph Kosinski's motorsport spectacle delivers bang for your buck

Brad Mehldau Trio, St George's Bristol review - exquisite intelligence

Mark Kidel

A brilliant trio in scintillating conversation

Dangerous Matter, RNCM, Manchester review - opera meets science in an 18th century tale

Robert Beale

Big doses of history and didaction are injected into 50 minutes of music theatre

Ian Leslie: John and Paul - A Love Story in Songs review - help!

John Carvill

Ian Leslie loses himself in amateur psychology, and fatally misreads The Beatles

Album: BC Camplight - A Sober Conversation

Kieron Tyler

Brian Christinzio exorcises childhood trauma

Schubertiade 3 at the Ragged Music Festival, Mile End review - five great musicians keep spirits soaring

David Nice

Kolesnikov, Tsoy, Leonskaja, Ibragimova and Hecker in spellbinding performances

Showmanism, Hampstead Theatre review - lip-synced investigation of words, theatricality and performance

Gary Naylor

Technically accomplished production with Dickie Beau never settles into a coherent whole

Immersive Night Music Show, Makita, Londinium Ensemble, World Heart Beat Embassy Gardens - multimedia musings on a midsummer night

Rachel Halliburton

This intriguing musical/visual collaboration was best when it was boldest

theartsdesk on Vinyl 91: Sex Pistols, Pink Floyd, Tropical Fuck Storm, Sparks, The Sisters of Mercy and more

Thomas H Green

The vastest regular record reviews in the galaxy

Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

Sarah Kent

Testing the boundaries of good taste, and winning

Kieran Hodgson, Soho Theatre review - a love affair soured by Trump

Veronica Lee

Can America be great again for the comic?

Outrageous, U&Drama review - skilfully-executed depiction of the notorious Mitford sisters

Helen Hawkins

A crack cast, clever script and smart direction serve this story well

Music Reissues Weekly: The Sonics - High Time

Kieron Tyler

Handsome box set of seven-inchers celebrating the ferocious Sixties rockers

Album: Benson Boone - American Heart

Katie Colombus

Retro-Americana, pop-rock sheen, and big-hearted ballads - all with a wink

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'We are bowled over!' Thank you for your messages... ...
The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

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German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...