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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Marina Abramović, Royal Academy review - young performers stand in for the absent artist

Saturday, 23 September 2023 Read more...

A Life on the Farm review - a fabulous eccentric gets neatly packaged

Friday, 08 September 2023 Read more...

Baato review - Nepalese mountain folk await big changes with excitement and anxiety

Sunday, 30 July 2023 Read more...

Jean Cooke: Ungardening, Garden Museum review - a cramped show of airy and spacious paintings

Tuesday, 11 July 2023 Read more...

Manchester International Festival exhibitions review - a new arts centre puts Manchester firmly on the cultural map

Thursday, 06 July 2023 Read more...

Hello, Bookstore review - a documentary with shelf life

Wednesday, 28 June 2023 Read more...

Carrie Mae Weems: Reflections for Now, Barbican review - going from strength to strength on an epic journey

Monday, 26 June 2023 Read more...

Dear Earth: Art and Hope in a Time of Crisis, Hayward Gallery review - hope is what we need, but inspiration is a rarity

Thursday, 22 June 2023 Read more...

Life is More Important than Art, Whitechapel Gallery review - themes of arrival, belonging and departure unite fascinating mixed show

Wednesday, 21 June 2023 Read more...

Capturing the Moment, Tate Modern review - the glorious power of painting

Thursday, 15 June 2023 Read more...

Sarah Sze: Metronome, Artangel at Peckham Rye station review - an installation of visual complexity and physical simplicity

Thursday, 18 May 2023 Read more...

The Dam review - a remarkably haunting allegory

Sunday, 07 May 2023 Read more...

Isaac Julien: What Freedom is to Me, Tate Britain review - a journey from making documentaries to making art

Thursday, 04 May 2023 Read more...

Berg review - a glorious visual meditation on the mountains of Slovenia

Friday, 28 April 2023 Read more...

Little Richard: I am Everything review - a riveting account of 'the brightest star in the universe'

Thursday, 27 April 2023 Read more...

Hilma af Klint & Piet Mondrian: Forms of Life, Tate Modern review - the hidden depths of abstract art revealed

Wednesday, 26 April 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
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Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “...

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You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and...

Elschenbroich, Grynyuk / Fibonacci Quartet, Edinburgh Intern...

Leonard Elschenbroich and Alexei Grynyuk crafted a fine programme for their EIF recital, centring around Brahms’ relationship with the Schumanns....

Edinburgh Fringe 2025 reviews: The Fit Prince / Undersigned

The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance...

Materialists review - a misfiring romcom or an undercooked s...

The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet...

Album: Marissa Nadler - New Radiations

“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song...

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Water surged through this Prom from first spray to last drop....

theartsdesk Q&A: actor Leonie Benesch on playing an over...

The German actor Leonie Benesch has an issue with...