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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

Friday, 28 May 2021 Read more...

David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

Saturday, 22 May 2021 Read more...

Eileen Agar, Whitechapel Gallery review - a free spirit to the end

Thursday, 20 May 2021 Read more...

The Human Voice review - an intense half-hour that pulls no punches

Wednesday, 19 May 2021 Read more...

Stray review - a delightful portrait of a dog named Zeytin

Saturday, 27 March 2021 Read more...

Sing Me a Song review - beautiful but devastatingly sad

Friday, 08 January 2021 Read more...

Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

Wednesday, 16 December 2020 Read more...

Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

Tuesday, 15 December 2020 Read more...

Zanele Muholi, Tate Modern review - photography as protest

Wednesday, 02 December 2020 Read more...

One Man and His Shoes review - beautifully crafted, fast-paced documentary

Saturday, 24 October 2020 Read more...

Sin, National Gallery review - great subject, modest show

Friday, 09 October 2020 Read more...

Bruce Nauman, Tate Modern review - the human condition writ large in neon

Tuesday, 06 October 2020 Read more...

Hendrix and the Spook review - a search for clarity in murky waters

Saturday, 19 September 2020 Read more...

Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

Tuesday, 10 March 2020 Read more...

Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

Saturday, 07 March 2020 Read more...

Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

Thursday, 05 March 2020 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Album: JF Robitaille & Lail Arad - Wild Moves

Around eight years ago, London singer-...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...