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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Most Beautiful Boy in the World review - a harrowing tale vividly told

Wednesday, 28 July 2021 Read more...

Afterness, Orford Ness review - a breath of fresh air, literally

Monday, 28 June 2021 Read more...

Bank Job review - an inspirational look at finance

Wednesday, 09 June 2021 Read more...

Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

Friday, 28 May 2021 Read more...

David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

Saturday, 22 May 2021 Read more...

Eileen Agar, Whitechapel Gallery review - a free spirit to the end

Thursday, 20 May 2021 Read more...

The Human Voice review - an intense half-hour that pulls no punches

Wednesday, 19 May 2021 Read more...

Stray review - a delightful portrait of a dog named Zeytin

Saturday, 27 March 2021 Read more...

Sing Me a Song review - beautiful but devastatingly sad

Friday, 08 January 2021 Read more...

Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

Wednesday, 16 December 2020 Read more...

Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

Tuesday, 15 December 2020 Read more...

Zanele Muholi, Tate Modern review - photography as protest

Wednesday, 02 December 2020 Read more...

One Man and His Shoes review - beautifully crafted, fast-paced documentary

Saturday, 24 October 2020 Read more...

Sin, National Gallery review - great subject, modest show

Friday, 09 October 2020 Read more...

Bruce Nauman, Tate Modern review - the human condition writ large in neon

Tuesday, 06 October 2020 Read more...

Hendrix and the Spook review - a search for clarity in murky waters

Saturday, 19 September 2020 Read more...

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'We are bowled over!' Thank you for your messages... ...
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I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...

Beating Hearts review - kiss kiss, slam slam

Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “...

BBC Proms: Anoushka Shankar 'Chapters' review - so...

You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and...

Elschenbroich, Grynyuk / Fibonacci Quartet, Edinburgh Intern...

Leonard Elschenbroich and Alexei Grynyuk crafted a fine programme for their EIF recital, centring around Brahms’ relationship with the Schumanns....

Edinburgh Fringe 2025 reviews: The Fit Prince / Undersigned

The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance...

Materialists review - a misfiring romcom or an undercooked s...

The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet...

Album: Marissa Nadler - New Radiations

“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song...

BBC Proms: Akhmetshina, LPO, Gardner review - liquid luxurie...

Water surged through this Prom from first spray to last drop....

theartsdesk Q&A: actor Leonie Benesch on playing an over...

The German actor Leonie Benesch has an issue with...