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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show

Tuesday, 11 April 2023 Read more...

Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

Tuesday, 04 April 2023 Read more...

Antidote review - two films in one that lose sight of their message

Monday, 27 March 2023 Read more...

After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

Saturday, 25 March 2023 Read more...

The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity

Thursday, 16 March 2023 Read more...

Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail

Tuesday, 28 February 2023 Read more...

Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

Thursday, 16 February 2023 Read more...

Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration

Tuesday, 14 February 2023 Read more...

Town of Strangers review - a whimsical foray into the meaning of home

Wednesday, 08 February 2023 Read more...

Best of 2022: Visual Arts

Wednesday, 28 December 2022 Read more...

Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

Friday, 18 November 2022 Read more...

Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

Saturday, 12 November 2022 Read more...

William Kentridge, Royal Academy review - from art to theatre, and back again

Monday, 24 October 2022 Read more...

Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut

Wednesday, 05 October 2022 Read more...

Remote review - an irredeemably silly first feature

Saturday, 01 October 2022 Read more...

Hallyu! The Korean Wave, V&A review - frenetic but fun

Tuesday, 27 September 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Two Gentlemen of Verona, RSC, Stratford review - not qui...

I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...

Beating Hearts review - kiss kiss, slam slam

Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “...

BBC Proms: Anoushka Shankar 'Chapters' review - so...

You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and...

Elschenbroich, Grynyuk / Fibonacci Quartet, Edinburgh Intern...

Leonard Elschenbroich and Alexei Grynyuk crafted a fine programme for their EIF recital, centring around Brahms’ relationship with the Schumanns....

Edinburgh Fringe 2025 reviews: The Fit Prince / Undersigned

The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance...

Materialists review - a misfiring romcom or an undercooked s...

The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet...

Album: Marissa Nadler - New Radiations

“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song...

BBC Proms: Akhmetshina, LPO, Gardner review - liquid luxurie...

Water surged through this Prom from first spray to last drop....

theartsdesk Q&A: actor Leonie Benesch on playing an over...

The German actor Leonie Benesch has an issue with...