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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite

Monday, 26 September 2022 Read more...

Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

Tuesday, 20 September 2022 Read more...

Carolee Schneeman: Body Politics, Barbican review - challenging, in-your-face and messy

Thursday, 15 September 2022 Read more...

The Fire of Love review - awe-inspiring footage of volcanoes marred by sentimental narration

Saturday, 30 July 2022 Read more...

Milton Avery: American Colourist, Royal Academy review - from backward-looking impressionist to forward looking-colourist

Thursday, 14 July 2022 Read more...

We (Nous) review - a low-key look at life in the suburbs of Paris

Tuesday, 28 June 2022 Read more...

Vivian Maier: Anthology, MK Gallery review - what an amazing eye!

Tuesday, 21 June 2022 Read more...

Whitstable Biennale review - a breath of fresh air

Tuesday, 14 June 2022 Read more...

The Camera Is Ours - Britain's Women Documentary Makers review - four decades of directors rediscovered

Thursday, 02 June 2022 Read more...

Cornelia Parker, Tate Britain review – divine intelligence

Monday, 23 May 2022 Read more...

Walter Sickert, Tate Britain review - all the world's a stage

Thursday, 12 May 2022 Read more...

Ali Cherri: If you prick us, do we not bleed?, National Gallery review - cabinets of curiosity

Monday, 21 March 2022 Read more...

River review – gorgeous visuals and a timely message: so what’s not to like?

Saturday, 19 March 2022 Read more...

The Metamorphosis of Birds review - picture perfect

Tuesday, 15 March 2022 Read more...

Surrealism Beyond Borders, Tate Modern review - a disappointing mish mash

Monday, 14 March 2022 Read more...

Postwar Modern: New Art in Britain 1945-65, Barbican review - revelations galore

Friday, 04 March 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Two Gentlemen of Verona, RSC, Stratford review - not qui...

I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...

Beating Hearts review - kiss kiss, slam slam

Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “...

BBC Proms: Anoushka Shankar 'Chapters' review - so...

You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and...

Elschenbroich, Grynyuk / Fibonacci Quartet, Edinburgh Intern...

Leonard Elschenbroich and Alexei Grynyuk crafted a fine programme for their EIF recital, centring around Brahms’ relationship with the Schumanns....

Edinburgh Fringe 2025 reviews: The Fit Prince / Undersigned

The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance...

Materialists review - a misfiring romcom or an undercooked s...

The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet...

Album: Marissa Nadler - New Radiations

“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song...

BBC Proms: Akhmetshina, LPO, Gardner review - liquid luxurie...

Water surged through this Prom from first spray to last drop....

theartsdesk Q&A: actor Leonie Benesch on playing an over...

The German actor Leonie Benesch has an issue with...