mon 23/06/2025

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Fire of Love review - awe-inspiring footage of volcanoes marred by sentimental narration

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Milton Avery: American Colourist, Royal Academy review - from backward-looking impressionist to forward looking-colourist

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We (Nous) review - a low-key look at life in the suburbs of Paris

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Vivian Maier: Anthology, MK Gallery review - what an amazing eye!

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Whitstable Biennale review - a breath of fresh air

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The Camera Is Ours - Britain's Women Documentary Makers review - four decades of directors rediscovered

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Cornelia Parker, Tate Britain review – divine intelligence

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Walter Sickert, Tate Britain review - all the world's a stage

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Ali Cherri: If you prick us, do we not bleed?, National Gallery review - cabinets of curiosity

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River review – gorgeous visuals and a timely message: so what’s not to like?

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The Metamorphosis of Birds review - picture perfect

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Surrealism Beyond Borders, Tate Modern review - a disappointing mish mash

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Postwar Modern: New Art in Britain 1945-65, Barbican review - revelations galore

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A Century of the Artist's Studio, Whitechapel Gallery review - a voyeur's delight

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Louise Bourgeois: The Woven Child, Hayward Gallery review - the wife, the mistress, the daughter and the art that came out of it

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America in Crisis, Saatchi Gallery review - a country in jeopardy

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The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

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