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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstances

Wednesday, 19 June 2024 Read more...

Wilding review - a life enhancing experience

Thursday, 13 June 2024 Read more...

Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world

Friday, 31 May 2024 Read more...

Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph

Tuesday, 28 May 2024 Read more...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity

Tuesday, 30 April 2024 Read more...

Stephen review - a breathtakingly good first feature by a multi-media artist

Wednesday, 24 April 2024 Read more...

Fantastic Machine review - photography's story from one camera to 45 billion

Saturday, 20 April 2024 Read more...

Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

Wednesday, 17 April 2024 Read more...

The Last Year of Darkness review - a loving portrait of a Chengdu gay bar

Tuesday, 12 March 2024 Read more...

Driving Mum review - a dark comedy that has you laughing out loud

Tuesday, 27 February 2024 Read more...

Sargent and Fashion, Tate Britain review - portraiture as a performance

Saturday, 24 February 2024 Read more...

Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

Wednesday, 21 February 2024 Read more...

Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

Friday, 16 February 2024 Read more...

When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

Friday, 09 February 2024 Read more...

The Settlers review - a western populated only by anti-heroes

Friday, 09 February 2024 Read more...

Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

Tuesday, 06 February 2024 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Album: JF Robitaille & Lail Arad - Wild Moves

Around eight years ago, London singer-...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...