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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

Monday, 05 February 2024 Read more...

The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

Friday, 12 January 2024 Read more...

Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

Friday, 01 December 2023 Read more...

Women in Revolt!, Tate Britain review - a super important if overwhelming show

Friday, 10 November 2023 Read more...

A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

Monday, 06 November 2023 Read more...

Beyond Utopia review - harrowing escape stories vividly captured with live footage

Tuesday, 31 October 2023 Read more...

El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

Wednesday, 25 October 2023 Read more...

RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

Thursday, 19 October 2023 Read more...

Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

Tuesday, 17 October 2023 Read more...

Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

Tuesday, 10 October 2023 Read more...

Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK

Thursday, 05 October 2023 Read more...

Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs

Monday, 02 October 2023 Read more...

The Nettle Dress review - a moving story exquisitely told

Monday, 25 September 2023 Read more...

Marina Abramović, Royal Academy review - young performers stand in for the absent artist

Saturday, 23 September 2023 Read more...

A Life on the Farm review - a fabulous eccentric gets neatly packaged

Friday, 08 September 2023 Read more...

Baato review - Nepalese mountain folk await big changes with excitement and anxiety

Sunday, 30 July 2023 Read more...

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Music Reissues Weekly: Rupert’s People - Dream In My Mind

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Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Album: JF Robitaille & Lail Arad - Wild Moves

Around eight years ago, London singer-...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...