Sarah Kent

Bio

Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun Friday, 09 February 2024 Read more...	The Settlers review - a western populated only by anti-heroes Friday, 09 February 2024 Read more...
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past Tuesday, 06 February 2024 Read more...	Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations Monday, 05 February 2024 Read more...
The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality Friday, 12 January 2024 Read more...	Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest Friday, 01 December 2023 Read more...
Women in Revolt!, Tate Britain review - a super important if overwhelming show Friday, 10 November 2023 Read more...	A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity Monday, 06 November 2023 Read more...
Beyond Utopia review - harrowing escape stories vividly captured with live footage Tuesday, 31 October 2023 Read more...	El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations Wednesday, 25 October 2023 Read more...
RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment Thursday, 19 October 2023 Read more...	Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions Tuesday, 17 October 2023 Read more...
Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood Tuesday, 10 October 2023 Read more...	Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK Thursday, 05 October 2023 Read more...
Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs Monday, 02 October 2023 Read more...	The Nettle Dress review - a moving story exquisitely told Monday, 25 September 2023 Read more...

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I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...

Beating Hearts review - kiss kiss, slam slam

Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “...

BBC Proms: Anoushka Shankar 'Chapters' review - so...

You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and...

Elschenbroich, Grynyuk / Fibonacci Quartet, Edinburgh Intern...

Leonard Elschenbroich and Alexei Grynyuk crafted a fine programme for their EIF recital, centring around Brahms’ relationship with the Schumanns....

Edinburgh Fringe 2025 reviews: The Fit Prince / Undersigned

The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance...

Materialists review - a misfiring romcom or an undercooked s...
The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet...

Album: Marissa Nadler - New Radiations
“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song...

BBC Proms: Akhmetshina, LPO, Gardner review - liquid luxurie...
Water surged through this Prom from first spray to last drop....

theartsdesk Q&A: actor Leonie Benesch on playing an over...
The German actor Leonie Benesch has an issue with...

Sarah Kent

Articles By Sarah Kent

When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

The Settlers review - a western populated only by anti-heroes

Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

Women in Revolt!, Tate Britain review - a super important if overwhelming show

A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

Beyond Utopia review - harrowing escape stories vividly captured with live footage

El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK

Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs

The Nettle Dress review - a moving story exquisitely told

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