fri 16/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

theartsdesk Q&A: Zoë Telford on playing a stressed-out psychiatrist in ITV's 'Malpractice'

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Malpractice, ITV1, Series 2 review - fear and loathing in the psychiatric unit

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Fake, ITV1 review - be careful what you wish for

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Formula E: Driver, Prime Video review - inside the world's first zero-carbon sport

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The Accountant 2 review - belated return of Ben Affleck's lethal bean-counter

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Flintoff, Disney+ review - tumultuous life and times of the great all-rounder

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Neil Young: Coastal review - the old campaigner gets back on the trail

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Your Friends & Neighbors, Apple TV+ review - in every dream home a heartache

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The Amateur review - revenge of the nerd

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MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

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This City is Ours, BBC One review - civil war rocks family cocaine racket

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The Alto Knights review - double dose of De Niro doesn't hit the spot

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Adolescence, Netflix review - Stephen Graham battles the phantom menace of the internet

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Black Bag review - lies, spies and unpleasant surprises

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Drive to Survive, Season 7, Netflix review - speed, scandal and skulduggery in the pitlane

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A Cruel Love: The Ruth Ellis Story, ITV1 review - powerful dramatisation of the 1955 case that shocked the public

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

theartsdesk Q&A: Zoë Telford on playing a stressed-out p...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Album: Rico Nasty – LETHAL

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

The Marching Band review - what's the French for '...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

Album: Billy Nomates - Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...