tue 26/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Gold, Series 2, BBC One review - back on the trail of the Brink's-Mat bandits

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Dept. Q, Netflix review - Danish crime thriller finds a new home in Edinburgh

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The Rise and Fall of Michelle Mone, BBC Two - boom and bust in the lingerie trade

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The Phoenician Scheme review - further adventures in the idiosyncratic world of Wes Anderson

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Mission: Impossible - The Final Reckoning review - can this really be the end for Ethan Hunt?

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The Bombing of Pan Am 103, BBC One review - new dramatisation of the horrific Lockerbie terror attack

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theartsdesk Q&A: Zoë Telford on playing a stressed-out psychiatrist in ITV's 'Malpractice'

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Malpractice, ITV1, Series 2 review - fear and loathing in the psychiatric unit

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Fake, ITV1 review - be careful what you wish for

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Formula E: Driver, Prime Video review - inside the world's first zero-carbon sport

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The Accountant 2 review - belated return of Ben Affleck's lethal bean-counter

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Flintoff, Disney+ review - tumultuous life and times of the great all-rounder

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Neil Young: Coastal review - the old campaigner gets back on the trail

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Your Friends & Neighbors, Apple TV+ review - in every dream home a heartache

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The Amateur review - revenge of the nerd

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MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

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latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...