thu 03/07/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Conclave review - secrets and lies in the Vatican's inner sanctum

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Senna, Netflix review - the life and legend of Brazil's greatest driver

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Landman, Paramount+ review - once upon a time in the West

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Gladiator II review - can lightning strike twice?

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Paris Has Fallen, Prime Video review - Afghan war veteran wreaks a terrible vengeance

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The Day of the Jackal, Sky Atlantic review - Frederick Forsyth's assassin gets a modern-day makeover

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Road Diary: Bruce Springsteen and the E Street Band, Disney+ review - the Boss grows older defiantly

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London Film Festival 2024 - Angelina Jolie does Maria Callas

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Rivals, Disney+ review - adultery, skulduggery and political incorrectness

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London Film Festival 2024 - Daniel Craig, Amy Adams, Twiggy, Christopher Reeve and some snails

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London Film Festival 2024 - the Vatican, the Blitz, a trip to Poland and a surfin' nightmare

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The Hardacres, Channel 5 review - a fishy tale of upward mobility

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Joan, ITV1 review - the roller-coaster career of a 1980s jewel thief

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The Penguin, Sky Atlantic review - power, corruption, lies and prosthetics

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Nightsleeper, BBC One review - strangers on a runaway train

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The Perfect Couple, Netflix review - an inconvenient death ruins lavish Nantucket wedding

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'We are bowled over!' Thank you for your messages... ...
The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...