tue 26/08/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Widow Clicquot review - Haley Bennett stars as the First Lady of champagne

Read more...

Freddie Flintoff: Field of Dreams on Tour, BBC One review - a passage to India with the Preston irregulars

Read more...

Hollywoodgate review - on tour with the Taliban

Read more...

The Instigators, Apple TV+ review - Matt Damon and Casey Affleck are back on the Beantown beat

Read more...

Stevie Van Zandt: Disciple, Sky Documentaries review - the New Jersey rocker with many strings to his bow

Read more...

Lady in the Lake, Apple TV+ review - a multi-layered Baltimore murder mystery

Read more...

Twisters review - satisfyingly cataclysmic storm-chaser saga

Read more...

The Jetty, BBC One review - lowlife in a Northern town

Read more...

Sleep review - things that go bump in the night

Read more...

Fly Me to the Moon review - NASA gets a Madison Avenue makeover

Read more...

The Turkish Detective, BBC Two review - a bad business in the Bosphorus

Read more...

The Night Caller, Channel 5 review - all he hears is radio ga ga

Read more...

I Am: Celine Dion, Prime Video review - inside the superstar singer's living hell

Read more...

theartsdesk Q&A: Lucie Shorthouse is flying high with 'We Are Lady Parts' and 'Rebus'

Read more...

The Exorcism review - salvaged horror movie is a diabolical mess

Read more...

The Bikeriders review - beer, brawls and Harley-Davidsons

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...