tue 26/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Presumed Innocent, Apple TV+ review - you read the book and saw the movie...

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Eric, Netflix review - a fairytale of New York

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theartsdesk Q&A: Matthew Modine on 'Hard Miles', 40 years in showbusiness and safer cycling

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Tokyo Vice, Series 2, BBC iPlayer review - an exciting ride that stretches credibility

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The Beach Boys, Disney+ review - heroes and villains and good vibrations

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theartsdesk Q&A: Eddie Marsan and the American Revolution, posh boys and East End gangsters

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Rebus, BBC One review - revival of Ian Rankin's Scottish 'tec hits the jackpot

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Fawlty Towers: The Play, Apollo Theatre review - lightning strikes twice

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Bermondsey Tales: Fall of the Roman Empire review - dirty deeds done dirt cheap

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Our Mothers review - revisiting the horrors of Guatemala's civil war

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Thank You, Goodnight: The Bon Jovi Story, Disney+ review - how the boy from Sayreville, NJ conquered the world

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Red Eye, ITV review - Anglo-Chinese relations tested in junk-food thriller

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Anthracite, Netflix review - murderous mysteries in the French Alps

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Civil War review - God help America

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Scoop, Netflix review - revisiting a Right Royal nightmare

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This Town, BBC One review - lurid melodrama in Eighties Brummieland

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...