sat 17/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

SAS Rogue Heroes, Series 2, BBC One review - Paddy Mayne's renegade warriors invade Italy

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All Creatures Great and Small, Christmas Special, Channel 5 review - Mrs Hall steps into the spotlight

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Death in Paradise Christmas Special, BBC One review - who killed Santa Claus?

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Queer review - Daniel Craig meets William Burroughs

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Black Doves, Netflix review - Keira Knightley and Ben Whishaw battle against the implausible

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Nightbitch review - Mother's life as a dog

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Conclave review - secrets and lies in the Vatican's inner sanctum

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Senna, Netflix review - the life and legend of Brazil's greatest driver

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Landman, Paramount+ review - once upon a time in the West

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Gladiator II review - can lightning strike twice?

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Paris Has Fallen, Prime Video review - Afghan war veteran wreaks a terrible vengeance

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The Day of the Jackal, Sky Atlantic review - Frederick Forsyth's assassin gets a modern-day makeover

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Road Diary: Bruce Springsteen and the E Street Band, Disney+ review - the Boss grows older defiantly

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London Film Festival 2024 - Angelina Jolie does Maria Callas

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Rivals, Disney+ review - adultery, skulduggery and political incorrectness

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London Film Festival 2024 - Daniel Craig, Amy Adams, Twiggy, Christopher Reeve and some snails

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Magic Farm review - numpties from the Nineties

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As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...

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If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...

It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...

Good One review - a life lesson in the wild with her dad and...

Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...

E.1027 - Eileen Gray and the House by the Sea review - dull...

It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...

Album: Rico Nasty - LETHAL

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

The Marching Band review - what's the French for '...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...