thu 03/07/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Brian and Maggie, Channel 4 review - Thatcherism's date with TV destiny

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Flight Risk review - the sky's the limit for Michelle Dockery and Mark Wahlberg

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Prime Target, Apple TV+ review - the appliance of science

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Out There, ITV1 review - drugs and thugs disfigure the Welsh landscape

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A Complete Unknown review - how does it feel?

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What's the Matter with Tony Slattery?, BBC Two review - absorbing but troubling search for answers

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American Primeval, Netflix review - nightmare on the Wild Frontier

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Maria review - Pablo Larraín's haunting portrait of an opera legend

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A Real Pain review - Jesse Eisenberg and Kieran Culkin take a Holocaust tour of Poland

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Lockerbie: A Search for Truth, Sky Atlantic review - Colin Firth stars in gruelling dramatisation of the 1988 terror attack

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SAS Rogue Heroes, Series 2, BBC One review - Paddy Mayne's renegade warriors invade Italy

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All Creatures Great and Small, Christmas Special, Channel 5 review - Mrs Hall steps into the spotlight

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Death in Paradise Christmas Special, BBC One review - who killed Santa Claus?

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Queer review - Daniel Craig meets William Burroughs

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Black Doves, Netflix review - Keira Knightley and Ben Whishaw battle against the implausible

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Nightbitch review - Mother's life as a dog

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'We are bowled over!' Thank you for your messages... ...
The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...