tue 26/08/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Special Ops: Lioness, Paramount+ review - high-octane female cast conducts war on terror

Read more...

Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

Read more...

World on Fire, Series 2, BBC One - return of Peter Bowker's panoramic view of World War Two

Read more...

Disturbing Disappearances, More4 review - headstrong 'tec tackles Pied Piper mystery

Read more...

Bruce Springsteen and the E Street Band, BST Hyde Park review - Saturday in the park with Bruce

Read more...

Tom Clancy's Jack Ryan, Season 4, Prime Video review - final outing for John Krasinski's CIA hero

Read more...

Hijack, Apple TV+ review - trapped at 40,000 feet with a bunch of armed thugs

Read more...

Spiral of Lies, Channel 4 review - bodies, fibs and bad karma in Biarritz

Read more...

Turn of the Tide, Netflix review - cocaine madness comes to the Azores

Read more...

No Hard Feelings review - nothing about this queasy comedy feels quite right

Read more...

Best Interests, BBC One review - a family feels the unbearable strain of terminal illness

Read more...

Chevalier review - a less than extraordinary film about an extraordinary man

Read more...

Hypnotic review - a riotously enjoyable thriller

Read more...

Inland review - a cracked mosaic of memories, impressions and lurking anxiety

Read more...

Ten Pound Poms, BBC One review - a new life in the Great Southern Land

Read more...

A different angle on the Anne Frank story in 'A Small Light'

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...