wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Crown, Season 5, Netflix review - is the royal epic outstaying its welcome?

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SAS Rogue Heroes, BBC One review - rock'n'roll desert warfare from the pen of Steven Knight

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The Banshees of Inisherin review - stellar turns from Brendan Gleason and Colin Farrell

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All Creatures Great and Small, Series 3 finale, Channel 5 review - revived vet show still strikes a popular note

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The Watcher, Netflix review - fear and loathing in the New Jersey suburbs

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Karen Pirie, ITV review - cold case mystery drags itself across the finish line

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Inside Man, BBC One review - strong cast trapped on a sinking ship

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The Capture, Series 2, BBC One review - caught up in the China syndrome

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Van der Valk, Series 2 Finale, ITV review - sleaze, corruption and skulduggery in Amsterdam

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Better Call Saul, Season 6 Finale, Netflix review - end of the line for TV's most celebrated con artist

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Shetland, Series 7, BBC One review - Douglas Henshall is back for the last time as Jimmy Perez

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Murder in Provence, ITV review - a little light sleuthing amid fabulous French scenery

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Where the Crawdads Sing review - picturesque film glosses over its darker themes

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The Gray Man, Netflix review - the Russo brothers explore big-bang theory

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Trom, BBC Four review - there's something fishy in the North Atlantic

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Freddie Flintoff's Field of Dreams, BBC One review - Lancashire all-rounder adds new strings to his bow

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'We are bowled over!' Thank you for your messages... ...
Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...