wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Pam & Tommy, Disney+ review - the infamous sex tape that went global

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Belfast review - coming of age amid the terror of the Troubles

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The Teacher, Channel 5 review - inappropriate behaviour in the school environment

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The Responder, BBC One review - the loneliness of the long-distance copper

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Long Promised Road review - another attempt to probe the fragile genius of Brian Wilson

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Nightmare Alley review - a dazzling trip through a heart of darkness

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Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville Chamberlain

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Rules of the Game, BBC One review - feminist workplace drama topples into farce

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Witch Hunt, All 4 review - dark deeds and dirty money

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The Tourist, BBC One review - gripping Outback thriller from the Williams brothers

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A Very British Scandal, BBC One review - the wild life and times of the Duchess of Argyll

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The Amazing Mr Blunden, Sky Max / The Mezzotint, BBC Two reviews - blundering Blunden eclipsed by M R James

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The Girl Before, BBC One review - high-tech dream home contains many a heartache

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Landscapers, Sky Atlantic review - Olivia Colman and David Thewlis star as a pair of convicted killers

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You Don't Know Me, BBC One review - true love meets inner-city crime wave

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Hellbound, Netflix review - supernatural assassins usher in an age of terror

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'We are bowled over!' Thank you for your messages... ...
Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...