Theatre Reviews
Barber Shop Chronicles, National Theatre review - foot-stompingly pleasurableThursday, 08 June 2017
The strapline for this joyful show is: “One day; six cities; a thousand stories.” Allowing for hyperbole, this is just about right. Performance poet Inua Ellams’s new show is set in a handful of cities that stretch across one part of the globe, from London to Lagos, Accra, Kampala, Harare and Johannesburg. Read more... |
Common, National Theatre review - Anne-Marie Duff fails to igniteWednesday, 07 June 2017
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed – and always at the mercy of the winners. In a general election week, it is hard to deny that still now we are the progeny of the possessive individualism of previous centuries. Read more... |
Annie review - a 12-year-old star is bornTuesday, 06 June 2017
Forty years after Annie swept on to Broadway, brimming with shining-faced optimism amidst wearying times, along comes Nikolai Foster's West End revival of the show to do much the same today. Read more... |
On the Town review - triple threat Danny Mac and co are unmissableThursday, 01 June 2017
On 8 April 1952, screenwriters Betty Comden and Adolph Green were chatting to Charlie Chaplin at a party when he started raving about a picture he’d seen the previous night at Sam Goldwyn’s house. It was called Singin’ in the Rain – had they heard of it? “Heard of it? We wrote it!” But then, this dynamic duo had form: five years earlier they wrote On the Town. Read more... |
Sand in the Sandwiches, Theatre Royal, Haymarket review - delightful but sanitisedThursday, 01 June 2017
Bard of Metroland and scourge of Slough, John Betjeman is, alongside Philip Larkin on parenthood, still one of the 20th century’s most-quoted poets. Hugh Whitemore’s play, part highlights reading and part biographical drama, offers a hugely charming account of a poet who, for many readers, epitomises a nostalgic but conflicted view of England. Read more... |
La Strada, The Other Palace review - Fellini's tragicomedy becomes a noisy rompThursday, 01 June 2017
Hitting the essence of a Fellini masterpiece in a different medium is no easy task. Read more... |
Killology, Royal Court review – both disturbing and life-affirmingWednesday, 31 May 2017
The monologue is a terrific theatre form. Using this narrative device, you can cover huge amounts of storytelling territory, fill in lots of background detail – and get right inside a character’s head. But the best monologues are those that interlock with other solo voices, giving different points of view on the same situation. Read more... |
Jam review – obsession and resentment in the classroomMonday, 29 May 2017
When TV drama tackles Britain’s class divide, the go-to working-class type is the northerner: gritty, blunt of vowel and partial to a deep-fried Mars bar. The first and perhaps only pleasant surprise in Matt Parvin’s debut play Jam, produced by the ever-adventurous Finborough, is that it’s set in Cornwall. Read more... |
An Octoroon review - slavery reprised as melodrama in a vibrantly theatrical showSaturday, 27 May 2017
Make no mistake about it, Branden Jacobs-Jenkins is a playwright to watch. Read more... |
Deposit, Hampstead Theatre Downstairs review - capital's housing crisis lands centre-stageFriday, 26 May 2017
Matt Hartley's personal take on London's housing crisis returns to the Hampstead Theatre's studio space downstairs and is sure to hit audiences where, so to speak, they live. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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