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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Romans: A Novel, Almeida Theatre review - a uniquely extraordinary work

Friday, 19 September 2025 Read more...

Cow | Deer, Royal Court review - paradox-rich account of non-human life

Thursday, 11 September 2025 Read more...

Deaf Republic, Royal Court review - beautiful images, shame about the words

Saturday, 06 September 2025 Read more...

The Pitchfork Disney, King's Head Theatre review - blazing with dark energy

Thursday, 04 September 2025 Read more...

Juniper Blood, Donmar Warehouse review - where ideas and ideals rule the roost

Thursday, 28 August 2025 Read more...

Inter Alia, National Theatre review - dazzling performance, questionable writing

Monday, 28 July 2025 Read more...

The Estate, National Theatre review - hugely entertaining, but also unconvincing

Sunday, 20 July 2025 Read more...

Run Sister Run, Arcola Theatre review - emphatic emotions, overwrought production

Wednesday, 09 July 2025 Read more...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Friday, 20 June 2025 Read more...

Miss Myrtle’s Garden, Bush Theatre review - flowering talent, but needs weeding

Sunday, 08 June 2025 Read more...

Personal Values, Hampstead Theatre review - deep grief that's too brief

Thursday, 24 April 2025 Read more...

All the Happy Things, Soho Theatre review - deep feelings, but little drama

Wednesday, 16 April 2025 Read more...

Manhunt, Royal Court review - terrifyingly toxic masculinity

Monday, 14 April 2025 Read more...

Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyful

Saturday, 05 April 2025 Read more...

Apex Predator, Hampstead Theatre review - poor writing turns horror into silliness

Wednesday, 02 April 2025 Read more...

Playhouse Creatures, Orange Tree Theatre review - jokes, shiny costumes and quarrels, but little drama

Thursday, 27 March 2025 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner reveealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Classical CDs: Shrouds, silhouettes and superstition

 

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Album: Robert Plant - Saving Grace

Robert Plant is magnificently well-equipped to shine as a consummate musical survivor: not only has his voice kept its magic, with a range from...

The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...

The Lady from the Sea, Bridge Theatre review - flashes of br...

Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from...