wed 04/06/2025

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Personal Values, Hampstead Theatre review - deep grief that's too brief

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All the Happy Things, Soho Theatre review - deep feelings, but little drama

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Manhunt, Royal Court review - terrifyingly toxic masculinity

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Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyful

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Apex Predator, Hampstead Theatre review - poor writing turns horror into silliness

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Playhouse Creatures, Orange Tree Theatre review - jokes, shiny costumes and quarrels, but little drama

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The Habits, Hampstead Theatre review - who knows what adventures await?

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Alterations, National Theatre review - high emotional costs of ambition

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A Knock on the Roof, Royal Court review - poignant account of living under terror

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East Is South, Hampstead Theatre review - bewildering and unconvincing

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Unicorn, Garrick Theatre review - wordy and emotionless desire

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More Life, Royal Court review - posthuman tragedy fails to come alive

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Churchill in Moscow, Orange Tree Theatre review - thought-provoking language and power games

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… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch

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A Good House, Royal Court review - provocative, but imperfect

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The Invention of Love, Hampstead Theatre review - beautiful wit, awkward staging

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...