Theatre Reviews
Late Company, Trafalgar Studios review - visceral production of Jordan Tannahill's lean, pained dramaTuesday, 29 August 2017
Canadian playwright Jordan Tannahill wrote Late Company when he was only 23. It would be an impressive achievement at any age, but it seems all the more remarkable that so stark a dissection of the consequences of a tragedy should have come from so young a writer. Written in 2013, it was his fifth play. Read more... |
Loot, Park Theatre review – dizzyingly enjoyableThursday, 24 August 2017
Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His debut play, Entertaining Mr Sloane, had both outraged and delighted West End audiences in 1964, and his follow-up a year later was Loot, which was a flop at first and then a hit when restaged in 1966. Read more... |
Knives in Hens, Donmar Warehouse review – Yaël Farber not symbolic enoughWednesday, 23 August 2017
Hark, is that the call of the earth I hear? In a frenetic urban world, the myth of rural simplicity exerts a strong pull. Surely a simpler life is possible; a more natural rhythm and a slower pace? Read more... |
Edinburgh Festival and Fringe 2017 reviews round-upMonday, 21 August 2017
Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far. STANDUP Athenu Kugblenu, Underbelly Med Quad ★★★ Strong debut hour of political and identity comedy |
Against, Almeida Theatre review - Ben Whishaw is a modern-day JesusSaturday, 19 August 2017
Luke is a Silicon Valley billionaire, a high-tech wizard. And he’s just had a message from God. And what does God say? Well, He says, “Go where there’s violence.” So what does Luke do? He does what he’s been told, and devotes his considerable intellect and his even more considerable resources to solving the problem of violence in our society. Read more... |
Edinburgh Festival 2017 reviews: Meet Me at Dawn / The Shape of the Pain / Wild BoreFriday, 18 August 2017
Meet Me at Dawn ★★★★★ |
King Lear, Shakespeare's Globe - Nancy Meckler's Globe debut is unusually subduedThursday, 17 August 2017
Every play is a Brexit play. This much we have learnt in the year since the referendum. But in Nancy Meckler’s hands the Globe’s new King Lear becomes the Brexit play – an unpicking of intergenerational responsibility and difference, of philosophies of power and governance, tackling above all that sticky question of what the old really owe the young. Read more... |
The Majority, National Theatre review – a minority interestTuesday, 15 August 2017
A new plague is sweeping British theatre: audience participation. Read more... |
Edinburgh Fringe 2017 reviews: Pike St / Box Clever / Sugar BabyTuesday, 15 August 2017
Pike St ★★★★ |
Edinburgh Festival 2017 review: The DivideSunday, 13 August 2017
A society that segregates men and women, prescribes what women can learn, read, wear, even which words they can say. A society willing to sacrifice its own people to maintain its repressive theocratic orthodoxy. Sound familiar? Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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