mon 04/08/2025

Ismene Brown

Ismene Brown's picture
Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

Filumena, Theatre Royal Windsor review - Mozartian marriage comedy with pasta sauce

Read more...

theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia

Read more...

Accolade, Theatre Royal Windsor review - orgy-loving knight makes for topical pre-election drama

Read more...

The White Factory, Marylebone Theatre review - what price dignity in hell?

Read more...

Patriots, Noël Coward Theatre review - crash-bang brilliant Putin comedy does it again

Read more...

4000 Miles, Minerva Theatre, Chichester review - brilliant Atkins in a tender play

Read more...

The Vortex, Chichester Festival Theatre review - naturalism clogs up Coward's pipes

Read more...

Hunting legendary treasure with ballet's Indiana Jones - Pierre Lacotte 1932-2023

Read more...

'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023

Read more...

Dogs of Europe, Belarus Free Theatre, Barbican Theatre review - doom art with doom reality

Read more...

The unexpurgated Clement Crisp - in memoriam

Read more...

Ava: The Secret Conversations, Riverside Studios, Hammersmith review - about Ava Gardner's effing

Read more...

Matthew Bourne's Nutcracker!, Sadler's Wells Theatre review - new candy, but the nuts are off

Read more...

The Seven Pomegranate Seeds, Rose Theatre, Kingston review - misogynist Euripides stands corrected

Read more...

The Cherry Orchard, Windsor Theatre Royal review - Tolstoy meets Mrs Two Soups

Read more...

The Mirror and the Light, Gielgud Theatre review - nobody expects the Spanish Inquisition

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...

Edinburgh Fringe 2025 reviews - Rhys Darby / Alex Stringer

Rhys Darby, Pleasance Courtyard ★★★★

Rhys Darby, the New Zealand actor and...

Album: Molly Tuttle - So Long Little Miss Sunshine

Molly Tuttle is a star of the US bluegrass scene whose last couple of albums have broadened her appeal. On them she wandered into...

Edinburgh Fringe 2025 reviews: I'm Ready To Talk Now /...

I’m Ready to Talk Now, Traverse Theatre ...

Music Reissues Weekly: Chip Shop Pop - The Sound of Denmark...

One of the more interesting tracks on Paul Weller’s fascinating new cover versions album Find El Dorado is his interpretation of “When...

theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...