sun 22/06/2025

Classical Reviews

Bavouzet, Manchester Camerata, Takács-Nagy, RNCM, Manchester

Robert Beale

Manchester Camerata give relatively few old-fashioned concerts these days – I mean the sort that are done in purpose-built concert halls, with a conductor, soloist and conventional orchestra strength – because they’re busy crossing boundaries and attracting new audiences. But when they do return to the traditional path, they do it extremely well, and especially when music director Gábor Takács-Nagy is in charge.

Read more...

Mirjam Mesak, Kristiina Rokashevich, St Bartholomew the Great

David Nice

Treasure our young continental European musicians in London while you can. Only last week I learned that so many of the overseas students at London's Guildhall School had stories to tell about being questioned in public (usually "are you Polish?" with the negative ramifications that implied).

Read more...

Juan Diego Flórez, Vincenzo Scalera, Symphony Hall, Birmingham

Richard Bratby

“Who says Mozart is not like Rossini?” remarked Juan Diego Flórez, about a quarter of an hour into his debut recital at Symphony Hall.

Read more...

Aimard, Philharmonia, Salonen, RFH

Gavin Dixon

A new work by Igor Stravinsky is always going to be a major event, so Sunday evening’s UK premiere of his rediscovered Funeral Song was hotly anticipated.

Read more...

Isabelle Faust, Alexander Melnikov, Wigmore Hall

David Nice

Polish composer Szymanowski's Ovid triptych Mythes achieved something like cult status thanks to an iridescent recording. Everyone knew the pianist, the great Krystian Zimerman; the violinist, Kaja Danczowska, less so (where is she now?).

Read more...

Kaufmann, Mattila, LSO, Pappano, Barbican

Peter Quantrill

Jonas Kaufmann’s legion of admirers could rest content. A well-received Lieder evening last week demonstrated that the world’s hottest tenor property had returned, both to London for a three-concert residency at the Barbican, and indeed to singing after burst blood vessels had forced several months of rest and cancelled concerts.

Read more...

Grosvenor, BBCPO, Gernon, Bridgewater Hall, Manchester

Robert Beale

Two young guys called Ben graced the BBC Philharmonic platform at the Bridgewater Hall – looking almost like Ant and Dec if you let your imagination wander. Ben Gernon, 27, had just been announced as the orchestra’s new Principal Guest Conductor (while predecessor John Storgårds now rejoices in the title of Chief Guest Conductor … it almost seems a bout of alternative facts is coming on), and this was his Bridgewater Hall début.

Read more...

theartsdesk in Rome: Bartoli and Pappano on home turf

Peter Quantrill

Wherever you are in the world, opportunities to see Cecilia Bartoli perform are hard to come by. A one-off chance to see her sing Mozart in Rome was not to be missed. This was a rare homecoming for Bartoli. Born in Rome, she studied at the city’s Conservatorio di Santa Cecilia where many members of the orchestra teach.

Read more...

Widmann, BBCSO, Oramo, Barbican

Gavin Dixon

The BBC Symphony Orchestra has continued its long-standing support of British contemporary music with this première of a new commission, Michael Zev Gordon’s Violin Concerto for violinist...

Read more...

Mitsuko Uchida, Royal Festival Hall

Gavin Dixon

Mitsuko Uchida specialises in elegant, if uncontroversial, interpretations of core Austro-German repertoire, yet she’s never predictable, and every performance is full of unexpected insights and welcome surprises.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: The Sonics - High Time

“Theirs is truly rock in extremis, a précis of the youthful impetuosity and cathartic chaos at the heart of real rock ’n roll.”

This extract...

28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

RNCM International Diploma Artists, BBC Philharmonic, MediaC...

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small...

Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Album: Yungblud - Idols

Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.

So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...