Classical Reviews
Kim, Hallé, Elder, Bridgewater Hall, ManchesterFriday, 21 April 2017
The world premiere of a symphony by a British composer – Huw Watkins – was the chief attraction in the latest Hallé programme with Sir Mark Elder at the Bridgewater Hall. The other music on the programme, however, held interest and indeed created a foil to Watkins’ work. Read more... |
Dvořák Requiem, BBC Symphony Chorus and Orchestra, Bělohlávek, BarbicanFriday, 14 April 2017
Not your usual blockbuster for Holy Week, this. In other words, neither of the Bach Passions but a Requiem, and not – these days, at any rate – one of the more often-performed ones (it's not among the 79 works listed in The BBC Proms Guide to Great Choral Works). Read more... |
Mahler 8, LPO, Jurowski, RFHMonday, 10 April 2017
For the first performances of his Eighth Symphony in Munich, Mahler conducted 11 rehearsals. He arranged for the bells of the city’s trams to be silenced during the concerts. He left nothing to chance. On Saturday night, for once, one felt that all concerned had done likewise. Read more... |
Debussy Préludes, Alexander Melnikov, Wigmore HallThursday, 06 April 2017
Who needs hallucinogenic drugs when we have Debussy's two books of Préludes? In the hands, that is, of a pianist magician who holds the key to this wild parade, demi-real wonderland, call it what you will. I've only heard two wizards equal to the whole sequence: on disc, Krystian Zimerman, graced by a wide recorded range the old masters could never command, and now, in the concert hall, Alexander Melnikov... Read more... |
Ma, New York Philharmonic, Gilbert, BarbicanMonday, 03 April 2017
John Adams, greatest communicator among living front-rank composers, zoomed into the follow-spot for the second and third concerts of the New York Philharmonic's Barbican mini-residency. Read more... |
Landshamer, New York Philharmonic, Gilbert, BarbicanSaturday, 01 April 2017
Alan Gilbert chose a surprisingly low-key programme to open the New York Philharmonic’s three-day Barbican residency, Bartók’s genre-defying Music for Strings, Percussion and Celesta and... Read more... |
Trpčeski, LSO, Roth, BarbicanFriday, 31 March 2017
In musical performance, if you get the start right and the end right, you can get away with a lot in between. In last night’s LSO concert under François-Xavier Roth there was a mixed bag of more and less successful beginnings and endings, but lots of fine playing sandwiched in the middle. Read more... |
Alceste, Early Opera Company, Curnyn, Wigmore HallThursday, 30 March 2017
A wife dies to save her husband; a hero goes to hell and back to retrieve her from the underworld. Read more... |
Jonathan Biss, Milton CourtTuesday, 28 March 2017
"Late Style", the theme and title of pianist Jonathan Biss's three-concert miniseries, need not be synonymous with terminal thoughts of death. Read more... |
Buchbinder, Philharmonia, Hrůša, RFHFriday, 24 March 2017
It's a rare concert when nothing need be questioned about the orchestral playing. The usual nagging doubts – about whether any of the London orchestras has a recognisable sound-identity, or whether Rattle's swipe agains the two main London concert halls as merely "adequate" means players can't make a proper mark here – simply vanished. Read more... |
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