mon 01/09/2025

Classical Reviews

BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whelan review - rapturous Handel fills the space

David Nice

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked two of Irish National Opera’s Vivaldi specials in the Linbury Theatre – one a major award winner – and the best Messiah I’ve ever heard in the Wigmore Hall. Their first Prom was pure celebration, and how they filled the Royal Albert Hall, both collectively and solo-wise, in the revised Dublin version of Alexander’s Feast.

Read more...

BBC Proms: Moore, LSO, Bancroft review - the freshness of morning wind and brass

Sebastian Scotney

11am concerts do take some getting used to. The BBC Proms season has no fewer than seven of them this year, three on Saturdays and four on Sundays. And yet, strangely, for this programme, mainly consisting of works for concert band, it did  genuinely seem like the right time of day.

Read more...

Willis-Sørensen, Ukrainian Freedom Orchestra, Wilson, Cadogan Hall review - romantic resilience

Boyd Tonkin

This week Vladimir Putin tried to murder my hosts in Ukraine. He failed. In more hopeful days, I spoke at a seminar organised by the British Council’s branch in Kyiv. Its offices (along with the EU delegation) felt the force of a Russian missile strike on Wednesday night. No one died there, thankfully, although 23 more civilians in the city perished. 

Read more...

BBC Proms: The Marriage of Figaro, Glyndebourne Festival review - merriment and menace

Boyd Tonkin

One door closes, and another one opens. A lot. It’s extraordinary what value those two simple additions to the Royal Albert Hall stage lent to Glyndebourne’s performance of The Marriage of Figaro at the Proms.

Read more...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons review - grace, then grandeur

Boyd Tonkin

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the Gewandhausorchester Leipzig made quite a sight at the Proms as they collectively surged through key passages of Dvořák and Sibelius as if staging a succession of seated Mexican waves. 

Read more...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä review - confirming a phenomenon

David Nice

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-spectrum gold, but its chief conductor, Santtu Matias Rouvali, could do with more humanity. My colleague Rachel Halliburton found his fellow Finn Klaus Mäkelä challenging in Mahler’s Fifth on Saturday night, but on Sunday afternoon neither he nor his fellow musicians put a foot wrong; indeed, feet hardly seemed to touch the ground.

Read more...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - defiantly introverted Mahler 5 gives food for thought

Rachel Halliburton

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as intricate as it was quietly luminous. Famously Mahler almost died from an intestinal haemorrhage in the year that he started composing the work, and the Royal Concertgebouw Orchestra’s sensitive, nuanced performance conveyed his heightened awareness of a world that could suddenly disappear without warning.

Read more...

Dunedin Consort, Butt / D’Angelo, Muñoz, Edinburgh International Festival 2025 review - tedious Handel, directionless song recital

Simon Thompson

Handel probably wrote his cantata Clori, Tirsi e Fileno in 1707 while he was in the service of the Marquis of Ruspoli in Rome. It tells the story of the shepherdess, Clori, who has two lovers that she plays off against one another to no great effect, everything culminating in an ending that’s suspiciously neat even by Handel’s standards.

Read more...

BBC Proms: Liu, Philharmonia, Rouvali review - fine-tuned Tchaikovsky epic

David Nice

Pianist Bruce Liu wasn’t the only star soloist last night, though he certainly had the most notes to play. Attention was riveted by at least five Philharmonia members and their maverick principal conductor Santtu-Matias Rouvali as percussionist in a joyful Prom.

Read more...

BBC Proms: Suor Angelica, LSO, Pappano review - earthly passion, heavenly grief

Boyd Tonkin

At first, I had my doubts about Puccini’s Suor Angelica in this concert performance at the Proms with Sir Antonio Pappano and his London Symphony Orchestra.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whela...

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked...

Music Reissues Weekly: The Outer Limits - Just One More Chan...

The Outer Limits were from Leeds. Active over 1965 to 1968, the...

BBC Proms: Moore, LSO, Bancroft review - the freshness of mo...

11am concerts do take some getting used to. The BBC Proms season has no fewer than...

Willis-Sørensen, Ukrainian Freedom Orchestra, Wilson, Cadoga...

This week Vladimir Putin tried to murder my hosts in Ukraine. He failed. In more hopeful days, I spoke at a seminar organised by the British...

Interview, Riverside Studios review - old media vs new in sp...

The cult film that director Theo van Gogh left behind when he was killed in 2004, Interview, has already been remade twice;...

theartsdesk Radio Show 37 - Pete Lawrence of the Big Chill d...

This edition of Peter Culshaw’s peripatetic...

Album: Sabrina Carpenter - Man's Best Friend

Following the success of 2024’s flirtatious Short n’ Sweet, Sabrina Carpenter has fully committed to her pin-up popstar status with ...

theartsdesk Q&A: Suranne Jones on 'Hostage', p...

If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and...

Little Trouble Girls review - masterful debut breathes new l...

Taking its title from a Sonic Youth track whose lyrics describe someone who seems good on the outside but is bad inside, this debut...