Classical Reviews
London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiereWednesday, 16 April 2025
The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I reviewed their latest release of Malcolm Arnold on theartsdesk only last week – as well as a busy schedule of live concerts and educational outreach. Read more... |
Goldberg Variations, Ólafsson, Wigmore Hall review - Bach in the shadow of BeethovenMonday, 14 April 2025
Víkingur Ólafsson had something to prove at the Wigmore Hall. And prove it he did, even if, this time, his Goldberg Variations left a few features of Bach’s inexhaustible keyboard panorama at the edge of his pianistic picture. The much-loved Icelandic chart-topper had promised Beethoven’s final three sonatas for this concert. Read more... |
Mahler's Ninth, BBC Philharmonic, Gamzou, Bridgewater Hall, Manchester review - vision and intensityMonday, 14 April 2025
There was a change of conductor from the one advertised for this BBC Philharmonic performance at the Bridgewater Hall – but the one who we heard from was an interpreter of extraordinary vision and intensity. Yoel Gamzou is also a composer in his own right, and a Mahler specialist, it would seem: he’s made his own completion of the Tenth Symphony, so he’s no doubt as aware of the language and creative imagination of that other composer-conductor as anyone. Read more... |
St Matthew Passion, Dunedin Consort, Butt, Queen’s Hall, Edinburgh review - life, meaning and depthSunday, 13 April 2025
I was in Germany last week, and nearly every town I went to was advertising a St Matthew or a St John Passion taking place in the week up to Easter. It says something about how deeply engrained Bach’s Passion settings are in German culture that they can muster up so many performances while, in most years, we in Scotland get only one for the whole country. Read more... |
St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patrick’s Cathedral, Dublin review - the heights rescaledSaturday, 12 April 2025
When you’ve already come as close as possible to perfection in the greatest masterpiece, why risk a repeat performance with a difference? Because Bach’s St Matthew Passion needs to be an annual fixture without routine, and because inspirational IBO director Peter Whelan can be guaranteed not only to recapture the magic but to try a few new things, and to choose new soloists with fine judgement. Read more... |
Kraggerud, Irish Chamber Orchestra, RIAM Dublin review - stomping, dancing, magical Vivaldi plusFriday, 11 April 2025
A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s Metamorphosen and some of his own music at the head of a mine in Svalbard: he was announced at the beginning of the concert as the Irish Chamber Orchestra’s new artistic partner, following the likes of another instrumentalist-composer, Jörg Widmann, and fellow violinist Thomas Zehetmair. So did he triumph? Beyond wildest expectations. Read more... |
Small, Hallé, Wong, Bridgewater Hall, Manchester review - return to Shostakovich’s ambiguous triumphalismFriday, 11 April 2025
Kahchun Wong returned to the symphony with which he made his first big impression conducting the Hallé – and made a big impression with it again. Read more... |
LSO, Noseda, Barbican review - Half Six shake-upThursday, 10 April 2025
Tired after a hard day at the office? You might think you need a Classic FM-style warm bath, but the blast of Prokofiev’s Second Symphony, one of the noisiest in the repertoire, is the real ticket to recharging the batteries. Gianandrea Noseda, on the latest stage of his bracing journey through the composer’s symphonies and embracing the London Symphony Orchestra’s hugely popular Half Six Fix series, served it up with panache both in word and deed. Read more... |
Frang, LPO, Jurowski, RFH review - every beauty revealedMonday, 07 April 2025
When Vladimir Jurowski returns to what used to be “his” London Philharmonic Orchestra, you’d better jump. I would have done on Wednesday had I been able to get to his heady mix of Russian and Ukrainian rarities; luckily I could on Saturday night, because an outwardly standard programme of early 19th century works proved perfect, raising Schumann’s much-denigrated Violin Concerto to the level of Beethoven’s Coriolan Overture and Schubert’s “Great” C major Symphony. Read more... |
Levit, Sternath, Wigmore Hall review - pushing the boundaries in Prokofiev and ShostakovichSaturday, 05 April 2025
Igor Levit is a master of the unorthodox marathon, one he was happy to share last night with 24-year-old Austrian Lukas Sternath, his student in Hanover. Not only did Sternath get the obvious stunner of two Prokofiev sonatas in the first half; he also had all the best tunes and phrases as the right-hand man, so to speak, in Shostakovich’s piano arrangement of his towering Tenth Symphony. The best, as in absolutely no holds barred, came at the very end. Read more... |
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