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Peter Quantrill

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Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Così fan tutte, Garsington Opera review - gambling with the highest stakes

Friday, 03 June 2022 Read more...

Siegfried, RINGafa, St Mary’s Putney review - heroes everywhere

Tuesday, 16 November 2021 Read more...

Bluebeard’s Castle 2: Komlósi, Relyea, LPO, Gardner, RFH review - consolations of solitude

Monday, 08 November 2021 Read more...

Crowe, BBCSSO, Volkov, BBC Proms review - shining light on history and heritage

Friday, 27 August 2021 Read more...

Brauss, BBC Philharmonic, Gernon, BBC Proms review - surprises and miracles in store

Wednesday, 04 August 2021 Read more...

King Lear, The Grange Festival review - friendship in adversity

Friday, 16 July 2021 Read more...

Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrow

Tuesday, 11 May 2021 Read more...

Siegfried, Göteborg Opera online review - a hero for our times

Monday, 29 March 2021 Read more...

Myaskovsky Dialogues, Yekaterinburg online review - revival and revelation

Wednesday, 10 March 2021 Read more...

Pavel Kolesnikov, Wigmore Hall online review - the joyful wisdom of the Goldbergs

Wednesday, 17 February 2021 Read more...

Paul Lewis, Wigmore Hall review – Classical consolations

Thursday, 10 December 2020 Read more...

BSO, Karabits, The Lighthouse, Poole online review – stealing fire from the gods

Thursday, 12 November 2020 Read more...

Istanbul International Music Festival online review – East-West flair and finesse

Saturday, 03 October 2020 Read more...

Bernard Haitink: The Enigmatic Maestro, BBC Two review - saying goodbye with Bruckner

Sunday, 27 September 2020 Read more...

Being Beethoven, BBC Four review – from grubby kid to grumpy genius

Tuesday, 07 July 2020 Read more...

Missa solemnis, BBCSO, Runnicles, Barbican review - affirmation in the face of adversity

Thursday, 05 March 2020 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Two Gentlemen of Verona, RSC, Stratford review - not qui...

I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...

Beating Hearts review - kiss kiss, slam slam

Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “...

Album: Emma Smith - Bitter Orange

Emma Smith, one time Puppini Sister, has established herself over the past decade or so as one of the UK’s most compelling jazz singers, now...

BBC Proms: Anoushka Shankar 'Chapters' review - so...

You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and...

Elschenbroich, Grynyuk / Fibonacci Quartet, Edinburgh Intern...

Leonard Elschenbroich and Alexei Grynyuk crafted a fine programme for their EIF recital, centring around Brahms’ relationship with the Schumanns....

Edinburgh Fringe 2025 reviews: The Fit Prince / Undersigned

The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance...

Materialists review - a misfiring romcom or an undercooked s...

The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet...

Album: Marissa Nadler - New Radiations

“I will fly around the world just to forget you” are the opening words of “It Hits Harder,” the first track on New Radiations. The song...

BBC Proms: Akhmetshina, LPO, Gardner review - liquid luxurie...

Water surged through this Prom from first spray to last drop....