Classical Reviews
Classical CDs Weekly: Christmas 2016 (part 2)Saturday, 17 December 2016
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St Lawrence String Quartet, Wigmore HallWednesday, 14 December 2016
John Adams, let's face it, was the reason many of us came to hear the St. Lawrence String Quartet. Their performances and recordings as dedicatees of his labyrinthine First String Quartet and Absolute Jest, in which the four players function as soloist with orchestra, led to high hopes for the UK premiere of a second quartet. As it turned out, the yield was smaller beer than expected. Read more... |
Monteverdi Choir, English Baroque Soloists, Gardiner, BarbicanTuesday, 13 December 2016
Add three natural trumpets, flawlessly wielded, to chorus and standard period-instrument orchestra, and the seasonal spirit will flow no matter the context. Read more... |
Corkin, Siglo de Oro, Allies, Shoreditch ChurchMonday, 12 December 2016
Advent is as profitable for choirs as it is tricky to programme. How to delight the palates of carol-hungry audiences while offering them new treats? How to reconcile the fairy-lights of ubiquitous consumption and satiation with the Biblical call of the season as a time to wait, take stock and look forward? Read more... |
Gerald Finley, Antonio Pappano, BarbicanMonday, 12 December 2016
This would have been an intriguing recital at any time. But in the context of Brexit, a programme of songs in a second language, of music expressing composers’ fascination with another country, another landscape, another sound-world, had a poignancy that was hard to ignore. Read more... |
Josefowicz, LSO, Adams, BarbicanFriday, 09 December 2016
Praise be to the spell cast by top players on great composers. Without the phenomenon that is Leila Josefowicz, John Adams would never have created his often prolix, fitfully hair-raising Scheherazade.2, more "dramatic symphony" for violin and orchestra than a concerto like his earlier work for the same combination (though that, too, is far from straightforward). Read more... |
Igor Levit, Wigmore HallWednesday, 07 December 2016
Igor Levit began his recording career with Beethoven’s last three piano sonatas, and his deeply felt, impressively mature readings made his name. Now he is performing a full cycle at the Wigmore Hall, and his take on the earlier sonatas turns out to be very much in the same spirit. There is little sense of Classical reserve in Levit’s early Beethoven; instead everything is performed in an intensely expressive style. It’s impulsive and unpredictable, with huge contrasts of dynamic and tempo... Read more... |
El Niño, LSO, Adams, BarbicanMonday, 05 December 2016
Second and third times lucky: after the migraine-inducing multimedia overload of Peter Sellars's premiere production of El Niño, first seen in London in 2003 and subsequently excoriated in eloquent prose by the composer himself, John Adams's layered masterpiece has had two further performances here proving that the drama is all in the music. Vladimir Jurowski's 2013 Festival Hall... Read more... |
Classical CDs Weekly: Prokofiev, Daniel Röhn, AyreheartSaturday, 03 December 2016
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Uchida, Mahler Chamber Orchestra, RFHWednesday, 30 November 2016
Leonard Bernstein once said that his favourite piece of Stravinsky was whatever one he happened to be listening to. I have a similar feeling about Mozart piano concertos: I love them all in their turn, and last night I heard Mitsuko Uchida bring two of the greatest of them to life, as pianist and director, alongside the Mahler Chamber Orchestra. Read more... |
Bach: Christmas Oratorio Dunedin Consort/John Butt (Linn)
okofiev: Romeo and Juliet (Complete) Oslo Philharmonic Orchestra / Vasily Petrenko (Lawo Classics)Pages
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