Classical Reviews
Mahan Esfahani / Richard Goode, Wigmore Hall review - clarity and contrast from two keyboard mastersTuesday, 18 December 2018
Two successive nights, two contrasted solo keyboard recitals at the Wigmore Hall: not great for the knees but marvellous for the soul. Read more... |
Epiphoni Consort, Reader, St Paul's Covent Garden review - historical drama with seasonal spiritMonday, 17 December 2018
Like a supermarket "Christmas Dinner" sandwich, cramming the delights of a full festive lunch into every bite, Epiphoni Consort’s The Christmas Truce was at once historical play, choral concert and carol service, and so wonderfully enjoyable I didn’t want it to end. Read more... |
Thomas Adès, Wigmore Hall review - playful and erratic JanáčekTuesday, 11 December 2018
Janáček has been an abiding passion for Thomas Adès. As both composer and performer, Adès revels in the whimsical and the absurd, and he finds both in Janáček’s piano works. Read more... |
The Swingles, LPO, Jurowski, RFH review – austere Stravinsky, luminous BerioMonday, 10 December 2018
The London Philharmonic’s year-long Stravinsky festival, Changing Faces, concluded here in spectacular style, with a tribute to “The Swingling Sixties”. Vladimir Jurowski, the soon to be leaving – and soon to be much-missed, Principal Conductor of the LPO, devised an adventurous and innovative programme, pairing Stravinsky’s late masterpiece Threni with the contemporaneous Sinfonia of Berio. Read more... |
Mitsuko Uchida, Royal Festival Hall review - conviction and graceSaturday, 08 December 2018
Mitsuko Uchida continues her world tour of Schubert sonatas with two concerts for the home crowd, this the second of her appearances at the Festival Hall. Read more... |
Sophie Bevan, Philharmonia, Rouvali, RFH review - an Alpine blazeFriday, 07 December 2018
With eyes swivelled towards who'll take over from Esa-Pekka Salonen as the Philharmonia's Principal Conductor in 2021, two of the strongest possibilities are to be found within the orchestra's masthead of associates. Read more... |
Bostridge, Pappano, Barbican review - a tough but thrilling march across the battlefieldThursday, 06 December 2018
Seldom has an encore felt so welcome. With Sir Antonio Pappano as his accompanist at the Barbican, Ian Bostridge tugged us through the mill of industrialised slaughter and the psychic devastation it leaves in an ambitious programme of song sequences that evoked “war, and the pity of war”. Read more... |
Hallé, Elder, Bridgewater Hall, Manchester review – three iconic worksFriday, 30 November 2018
At first sight, performing Stravinsky’s The Rite of Spring – premiered in 1913 and sometimes seen as presaging the whole world of modernism – in the centenary year of the 1918 Armistice might seem to be lagging behind in timing (if centenaries float your boat). Read more... |
theartsdesk in Warsaw - Penderecki at 85Wednesday, 28 November 2018
Krzysztof Penderecki is the elder statesman of Polish music, and celebrations for his 85th birthday in Warsaw were suitably grand. Read more... |
CBSO, Kremerata Baltica, Gražinytė-Tyla, Symphony Hall, Birmingham review - numb laments and life after deathMonday, 26 November 2018
Mirga Gražinytė-Tyla, the City of Birmingham Symphony Orchestra's latest dynamo of a music director and communication incarnate, doesn't believe in taking it easy. Read more... |
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