Classical Reviews
The Music of Harry Potter, CBSO, Seal, Symphony Hall, Birmingham review - orchestral wizardrySaturday, 13 October 2018
Imagine an orchestral concert made up exclusively of contemporary works by living composers: a programme in which every note was written within the last two decades. Imagine not only that this concert is sufficiently popular to fill a 2,000-seat hall with a noticeably youthful and diverse crowd, but that its format is already being replicated regularly by pretty much every major UK symphony orchestra. Now ask yourself how much critical attention such a concert would receive? Read more... |
Opolais, Leipzig Gewandhaus Orchestra, Nelsons, RFH review - splendid and awful stretchesWednesday, 10 October 2018
Latvia is fighting fit. The recent elections did not see the expected victory for the pro-Kremlin Harmony party; support for the European Union and NATO will be well represented. Read more... |
Hardenberger, Leipzig Gewandhaus Orchestra, Nelsons, RFH review - new songs for an old gloryTuesday, 09 October 2018
During his quarter-century in charge of the Gewandhausorchester in Leipzig, the late Kurt Masur nobly held out a musical hand of friendship and collaboration from the other side of the Iron Curtain. Read more... |
Two-Piano Marathon, Kings Place review - dazzling duos, deep watersMonday, 08 October 2018
You get a lot of notes for your money in a two-piano recital - especially when seven pianists share the honours for two and a half hours' worth of playing time. Well, they did call it a marathon, crowning the London Piano Festival so shiningly planned by Katya Apekisheva and Charles Owen, and the baton passed seamlessly from two pairs of hands to the next. Read more... |
BBC Philharmonic, Wellber, Bridgewater Hall, Manchester review - new conductor’s debutMonday, 08 October 2018
Two days after announcing his appointment as their next chief conductor (he takes the reins officially next summer, in time for the Proms), by remarkable good fortune the Manchester-based BBC Philharmonic was able to present Omer Meir Wellber as the conductor of their second Bridgewater Hall series concert. Read more... |
Anderson & Roe, RLPO, Tali, Philharmonic Hall, Liverpool review - measured fireSaturday, 06 October 2018
There must be something of a beauty parade going on in Liverpool now that Vasily Petrenko has called time on his tenure at Philharmonic Hall. After all, someone will need to step into his shoes from 2021 after he departs for the Royal Philharmonic Orchestra. It was refreshing, therefore, to welcome Anu Tali to conduct the Royal Liverpool Philharmonic, making her debut with the orchestra. Read more... |
Bach: The Well-Tempered Clavier - Book 2, Hewitt, Wigmore Hall review – high drama in 24 short actsFriday, 05 October 2018
Bach specialists like to explain that the second book of preludes and fugues in The Well-Tempered Clavier, composed around 1740 and thus almost two decades after the first, draws on more of the fancy and daring “modern” music of its time than its more traditional predecessor. Yes, but there’s modern and there’s modern. Read more... |
Katya Apekisheva, Charles Owen, Kings Place review - one plus one equals a hundredThursday, 04 October 2018
We could probably spend all day pondering what makes a great musical partnership. Is it long experience, special sensitivity, a shared sense of humour? We’d get nowhere, though because there is, genuinely, something about it that can't be explained. It’s like a good marriage: it just works, and if you could analyse precisely why, there’d likely be something wrong. Read more... |
Gerald Finley, Julius Drake, Middle Temple Hall review - sublimity in 18 serious songsWednesday, 03 October 2018
Earth stood hard as iron in parts of this awe-inspiring recital from a true song partnership, but theirs was an autumnal odyssey, not a winter journey. Read more... |
Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewellMonday, 01 October 2018
Not all composers require the finger of mortality pointing at them to develop what becomes a late style. Charges of detachment and even indifference have been levelled at the B flat major Piano Concerto K595 which Mozart completed early in the year of his death, but Mitsuko Uchida’s playing of it on Saturday night was as refined, as weightless and translucent as her trademark silk tops. Read more... |
Pages
inside classical music
latest in today
'We are bowled over!' Thank you for your messages...
