Classical Reviews
Iestyn Davies, Aurora Orchestra, Kings Place review - arresting musical miscellanySaturday, 24 November 2018
Not really a song recital, nor a chamber music programme, this musical grab bag definitely was definitely popular. The programme of predominantly recent music was sold out weeks ahead. The notably younger-than-usual audience received it enthusiastically, and rightly so. Read more... |
The English Concert, Bicket, Wigmore Hall review – small-scale BachWednesday, 21 November 2018
It’s Christmas already at Wigmore Hall. Or advent at least – this concert of Bach Advent cantatas was presented by the English Concert without apology or qualification, despite it still being the middle of November. Read more... |
Trpčeski, RLPO, Petrenko, Liverpool Philharmonic Hall review - one composer, many viewsMonday, 19 November 2018
It probably goes without saying that there will be "dream teams" in a football-mad city like Liverpool. What might be a little unusual is that this particular one has long been associated with the Liverpool Philharmonic and has turned into one of the most potent marketing forces for the organisation for many a long year. It has nothing to do with the "beautiful game", though. Read more... |
Kolesnikov, BBCSO, Brabbins, Barbican review - rethought masterpiece, stolid rarityFriday, 16 November 2018
Forget the latest International Tchaikovsky Competition winner (I almost have; only a dim memory of Dmitry Masleev's playing the notes in the obligatory First Piano Concerto, and nothing else, remains from an Istanbul performance). Read more... |
Our Classical Century, BBC Four review - enthusiasm and delightFriday, 16 November 2018
Jerusalem! Read more... |
Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supergroup to savourTuesday, 13 November 2018
Even in a large hall, very good things can come in small packages. In advance, partisans of the Wigmore Hall or some other dedicated chamber space might have feared that the Barbican’s main auditorium would turn out to be too chilly a barn for the intimate music-making promised by this supergroup. All-star trios or quartets, made up of soloists more accustomed to the undivided limelight, can frequently add up to less than the sum of their parts. Read more... |
LSO, Roth, Barbican - not enough pathos, but a remarkable step-inMonday, 12 November 2018
Missa in Angustiis. Mass in troubled times. There was a logic in programming Haydn’s D minor Mass on the Armistice Centenary day. The final words of the mass, dona nobis pacem, would be the right ones to end this day of reflection. Read more... |
Borodin Quartet, LPO, Jurowski, RFH review - mixed results in oddball CzechfestThursday, 08 November 2018
How many times have you heard live in concert a concerto for string quartet and instrumental ensemble? In my case, three, all of the occasions performances of John Adams's Beethoven-based giant scherzo Absolute Jest. Read more... |
Fialkowska, BBCSO, Nesterowicz, Barbican review – a cliche-free night in PolandSaturday, 03 November 2018
National feeling – in music, as anywhere else – depends on choice, not blood. This BBC Symphony Orchestra concert at the Barbican to mark the centenary of Poland’s rebirth as a nation never felt remotely like a feast of aural jingoism. Read more... |
Federico Colli, Wigmore Hall review – poised on the edge of the possibleFriday, 02 November 2018
The Italian pianist Federico Colli, 30, best known so far as winner of the 2012 Leeds International Piano Competition, last night arrived for his Wigmore Hall debut sporting an emerald-green cravat, but the sonic colours he magicked out of the piano quickly put its gleam in the shade. Read more... |
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