Classical Reviews
Trifonov, LSO, Rattle, Barbican review - Russian style with French chic (and cheek)Tuesday, 19 February 2019
The arc of Daniil Trifonov’s reputation has soared and then, to some ears, stalled in a familiar modern way. Russian Wunderkind pianist bags a sackful of competition trophies (Rubinstein, Tchaikovsky prizes; Gramophone Awards). Early recitals and recordings display stupendous technique allied to audacious, beyond-his-years interpretation. Hype shoots off the scale. Read more... |
Elīna Garanča, Malcolm Martineau, Wigmore Hall review - towards transcendenceMonday, 18 February 2019
It seems an almost indecent luxury to have heard two top mezzos in just over a week with so much to express, backed up by the perfect technique and instrument with which to do so. Georgian Anita Rachvelishvili with Pappano and the Royal Opera Orchestra the Friday before last only had to hold the spell through a Rachmaninov sequence in the middle of an all-Russian concert. Read more... |
Ek, CBSO, Gražinytė-Tyla, Symphony Hall, Birmingham review - epics of sea and landMonday, 18 February 2019
British concert audiences now know and love one great Lithuanian, among the most communicative and individual conductors in the world today (note I don't even need to prefix "conductors" with "women"). Read more... |
Montero, Scottish Ensemble, Kings Place review - new music with a political edgeSaturday, 16 February 2019
The Venezuelan pianist and composer Gabriela Montero is an outspoken advocate for political change in her country, using her musical standing as a platform from which to highlight Venezuela’s "hijacking" by "forces of... Read more... |
Sarah Chang, Ashley Wass, Cadogan Hall review – a virtuoso's disturbing 'inner game'Thursday, 14 February 2019
“My first recital in about a gazillion years in London!” wrote Sarah Chang a week ago for her 140,000 Twitter followers. “I usually work with orchestras whenever I'm in town so what an absolute joy+pleasure to be playing a duo program with piano!” Read more... |
Monteverdi Vespers, The Sixteen, Christophers, Cadogan Hall review – majesty on a modest scaleWednesday, 13 February 2019
The Monteverdi Vespers are usually a grand affair, but Harry Christophers showed they can work just as well on a smaller scale. Cadogan Hall has a dry acoustic, at least compared to St Mark’s Basilica, so there is little opportunity for billowing waves of choral declamation, echoing through the galleries. Read more... |
Grosvenor, Doric String Quartet, Milton Court review – a night to rememberTuesday, 12 February 2019
Imagine for a moment that you are at, say, the Derby. It’s pretty good. But then in flies Pegasus, the mythical winged horse. What happens? Read more... |
Schumann Series 3 & 4, LSO, Gardiner, Barbican review - upstanding brillianceMonday, 11 February 2019
Schumann revitalized by John Eliot Gardiner and the London Symphony Orchestra last year left us wanting more: namely two of the four symphonies (transcendently great, as it turns out from these revelatory performances). Read more... |
La Damnation de Faust, Hallé, Elder, Bridgewater Hall, Manchester review - 'concert opera' indeedMonday, 11 February 2019
Berlioz called it a "concert opera". His telling of the Faust story is in scenes and highly theatrical, but a bit of a challenge to put on in the theatre, with its marching armies, floating sylphs, dancing will-o’-the-wisps and galloping horses. It seems he expected it to be a kind of giant cantata, and that’s the way the Hallé and Sir Mark Elder perform it. Read more... |
Rachvelishvili, ROH Orchestra, Pappano, Royal Opera House review - perfect night and daySaturday, 09 February 2019
There's now something of a gala atmosphere when the Orchestra of the Royal Opera House takes to the Covent Garden stage with its music director Antonio Pappano. Read more... |
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