Classical Reviews
Prom 1, BBCSO, Canellakis review - space-age First NightSaturday, 20 July 2019
A new commission, a Romantic tone poem and a choral spectacular – standard fare for the First Night of the Proms. Traditionally, the First Night sets out the themes for the season ahead, but the rationale behind much of this programme was paper-thin. Read more... |
Londinium, Griffiths, St John’s Waterloo review - a choral Grand TourSaturday, 13 July 2019
Since 2005 Londinium has carved out a niche in the London choral scene as a purveyor of creative programming, exploring often neglected musical byways or making surprising connections and juxtapositions. Last night the idea was a musical Grand Tour of Europe, as taken by aristocratic young men in the 18th century, and a well-crafted and very satisfying concert resulted. Read more... |
Alder, The Mozartists, Page, Wigmore Hall review - a Mozart feast for eyes and earsTuesday, 09 July 2019
Seven European cities, seven works: from an eight-year-old's First Symphony composed in what is now Ebury Street to the towering concert aria for Josepha Dushchek of Prague's Villa Bertramka, Ian Page's latest Mozart cornucopia took us on a rich and at times startling journey, a testament - as Page wrote eloquently yesterday in his article for The Arts Desk - to the abiding need for... Read more... |
The Anvil, Royal, Purves, BBCPO, Gernon, Bridgewater Hall, Manchester - disturbing, baffling and movingMonday, 08 July 2019
Two hundred years ago next month, an assembly of around 60,000 people gathered on St Peter’s Fields in Manchester to protest about their lack of political representation. Speakers addressed the crowd, bands played and banners were carried. Read more... |
Chetham's Symphony Orchestra, Chetham's Chorus, Threlfall, Bridgewater Hall, Manchester - a thrilling triumphSaturday, 06 July 2019
As end-of-term concerts go, Mahler’s Eighth Symphony is a biggie. In fact it’s hard to imagine any place of secondary education where they would even contemplate it. Read more... |
London Mozart Players, Davan Wetton, St Giles Cripplegate - rousing Shakespearean revelSaturday, 29 June 2019
The festival Summer Music in City Churches is in only its second year, filling a gap left by the demise of the long-running City of London Festival. Read more... |
Ax, Keenlyside, Dover Quartet, Wigmore Hall review – celebratory SchumannWednesday, 26 June 2019
Emanuel Ax here celebrated his 70th birthday with an all-Schumann recital. In fact, it was an all-Schumann marathon, a three-hour concert at Wigmore Hall featuring solo works, Dichterliebe with Simon Keenlyside, and, with the Dover Quartet, the Piano Quartet and the Piano Quintet. Read more... |
Treatise Project, Goldsmiths review - potent symbols reveal rich music potentialSaturday, 22 June 2019
Treatise by Cornelius Cardew is the defining work of the graphic notation movement. Read more... |
LSO, Guildhall School, Rattle, Barbican review - irresistible momentumFriday, 21 June 2019
The Barbican Hall hardly boasts the numinous acoustic of Gloucester Cathedral for which Vaughan Williams composed his Fantasia on a Theme of Thomas Tallis, but Sir Simon Rattle has long known how to build space into the architecture of what he conducts. Read more... |
Goodyear, Chineke! Orchestra, Marshall, Symphony Hall, Birmingham Review - engaging and upliftingMonday, 17 June 2019
Having played their first concert just four years ago, the Chineke! Orchestra gave a rousing, exuberant performance for an ensemble still in its infancy. It’s a young orchestra, not just in the sense of only being founded a few years ago, but one that comprises many young players too. Though its youthful passion and energy was very much to the fore, there were some points in Edvard Grieg’s Peer Gynt Suite No 1 when a lack of experience let them down. Read more... |
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