mon 30/06/2025

Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

theartsdesk at Red Rooster Festival 2019 - bustling Suffolk stately home hoedown

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Berlin: True Copy, Brighton Festival 2019 review - tricksy forgery masterclass

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CD: Morrissey - California Son

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Superhoe, Brighton Festival 2019 review - a darkly vital one-woman show

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Primal Scream, The Haunt, Brighton review - up-close, short, raucous and sweaty

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Gravity & Other Myths: Backbone, Brighton Festival 2019 review - eyeboggling and very human circus show

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theartsdesk on Vinyl 49 - Part 2: Prince, Johnny Cash, Sparks, Toyah, Adrian Sherwood and more

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My Left Right Foot: The Musical, Brighton Festival 2019 review - foul-mouthed comic brilliance

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Andy Hamilton, Brighton Festival 2019 review - gently amusing night of reminiscence

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The Great Escape Festival 2019, Brighton review - a juicy smörgåsbord of new music from all over

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CD: Lewis Capaldi - Divinely Uninspired to a Hellish Extent

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theartsdesk on Vinyl 49 - Part 1: Keith Richards, Asian Dub Foundation, Popul Vuh, Nirvana, Cage the Elephant and more

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Dead Dog in a Suitcase (and other love songs), Brighton Festival 2019 review - a feverishly foul-mouthed musical comedy

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CD: Whitesnake - Flesh & Blood

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British Paraorchestra: The Nature of Why, Brighton Festival 2019 review - it's a happening!

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Rokia Traoré: Né So, Brighton Festival review - an Afro-psychedelic head-fry

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'We are bowled over!' Thank you for your messages... ...
Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...