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Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Kreator / Dimmu Borgir, Roundhouse review - explosive extreme metal extravaganza

Tuesday, 18 December 2018 Read more...

Albums of the Year 2018: Farai - Rebirth

Saturday, 15 December 2018 Read more...

theartsdesk on Vinyl 46: Christmas 2018 Special with Kate Bush, Depeche Mode, The Rolling Stones, Lulu and more

Friday, 14 December 2018 Read more...

theartsdesk on Vinyl 45: Ian Dury, Janis Joplin, Oneohtrix Point Never, Stereolab, Charles Mingus and more

Tuesday, 11 December 2018 Read more...

CD: Mary Poppins Returns - Original Motion Picture Soundtrack

Tuesday, 11 December 2018 Read more...

CD: My Baby - MOUNAIKI: By The Bright of the Night

Sunday, 02 December 2018 Read more...

DVD: The Man from Mo'Wax

Sunday, 25 November 2018 Read more...

theartsdesk on Vinyl 44: Thom Yorke, Primal Scream, Elvis, Noisferatu, R.E.M., Bauhaus, Mo'Wax and more

Tuesday, 13 November 2018 Read more...

CD: Imogen Heap - The Music of Harry Potter and the Cursed Child

Tuesday, 13 November 2018 Read more...

The Prodigy, Brighton Centre review - a proper bangin' night out

Tuesday, 06 November 2018 Read more...

CD: The Struts - Young&Dangerous

Sunday, 28 October 2018 Read more...

CD: Ex Mykah - 16, 17

Wednesday, 24 October 2018 Read more...

DVD: Generation Wealth

Friday, 19 October 2018 Read more...

CD: Kurt Vile - Bottle It In

Wednesday, 10 October 2018 Read more...

theartsdesk on Vinyl 43: Pixies, Nazareth, Yumi and the Weather, Beta Band, Northern Soul and more

Friday, 05 October 2018 Read more...

CD: You Me At Six - VI

Wednesday, 03 October 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...