mon 30/06/2025

Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

My Baby, Concorde 2, Brighton review - Dutch three-piece deliver trance dance power

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CD: Liam Payne - LP1

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The Chemical Brothers, O2 review - eye-boggling monster rave-up

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CD: Pete Tong & HER-O - Chilled Classics

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Iggy Pop, Barbican review - proto-punk legend goes jazz... sort of

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theartsdesk on Vinyl 54: The Beatles, Prince, Kid Acne, Nirvana, Teebs, Monty Python, Pulp and more

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CD: The Script - Sunsets & Full Moons

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CD: Michael Kiwanuka - Kiwanuka

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CD: Jacques Greene - Dawn Chorus

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Alice Cooper, The Stranglers, MC50, Brighton Centre review - a triple-headed blast of vintage rock

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CD: 808 State - Transmission Suite

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theartsdesk on Vinyl 53: U2, Moonlight Parade, Oasis, Stray Cats, Crass, Prefab Sprout and more

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10 Questions for conductor Charles Hazlewood

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The Sisters of Mercy, Roundhouse review - hits delivered from the darkness

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CD: Renée Zellweger - Judy

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Romesh Ranganathan, Brighton Dome review - transgressive, edgy and very likeable

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'We are bowled over!' Thank you for your messages... ...
Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...