wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

8 Days, Sky Atlantic review - could armageddon really be this boring?

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The Sinner, Series 2, BBC Four review - a white-knuckle ride into spiritual darkness

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21 Bridges review - police corruption thriller sets a cracking pace

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Greg Davies: Looking for Kes, BBC Four review - touching insights into the story of Barnsley boy Billy Casper

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The Crown, Series 3, Netflix review - if you want binge TV, there's none finer

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Gold Digger, BBC One review - Julia Ormond tackles those mid-life blues

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Ant Middleton and Liam Payne: Straight Talking, Sky 1 review - when the commando met the pop star

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Midway review - gung-ho heroes battle moribund script

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Dublin Murders, Series Finale, BBC One review - eerie detective drama grips tightly

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Rich Hall's Red Menace, BBC Four review - laconic comic referees the Free World versus Communism

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Love and Hate Crime, BBC One review - Abel Cedeno was a killer, but was he also a victim?

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Ben Fogle: New Lives in the Wild, Series 10, Channel 5 review - living off your wits and below the radar in Sweden

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Black and Blue review - police thriller aims high and misses

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The Troubles: A Secret History, BBC Four, finale review - peace at last, but at what price?

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The British Tribe Next Door, Channel 4 review - risible culture-clash farrago

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Spiral, Series 7, BBC Four review - hard-hitting return of our favourite French cop show

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...