wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Danger Close review - the Vietnam war from an Australian perspective

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theartsdesk Q&A: actor Gemma Whelan

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Alma's Not Normal, BBC Two review - bare-knuckle comedy pilot hits the spot

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Return to Belsen, ITV review - Jonathan Dimbleby retraces his father's journey to a nightmare world

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The Iron Mask review - preposterous multi-national fantasy

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Ozark, Series 3 review, Netflix - money-laundering saga hits new heights

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The Trip to Greece, Series Finale, Sky 1 review - bittersweet swansong for the cantankerous comrades

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Pen15, Sky Comedy review - the horror of adolescent schooldays revisited

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Batwoman, E4 review - can Bruce Wayne's female cousin fill his bat-costume?

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Our Girl, Series 5, BBC One review - where soap and warfare collide

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Comedy Against Living Miserably, Dave review - standups tread the boards for CALM charity

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The English Game, Netflix review - it's the toffs versus the workers in this version of sporting history

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The Art Mysteries, BBC Four review - secrets and symbols of Van Gogh's famous self-portrait

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Penance, Channel 5 review - lust, disgust and mistrust in Kate O'Riordan's thrilller

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Belgravia, ITV review - when the toffs and the nouveaux riches collided

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The Test: A New Era for Australia's Team, Amazon Prime review - how ball-tampering scandal forced a cricket revolution

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...