wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Five Guys a Week, Channel 4 review - lemming-like contestants make spectacles of themselves

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Formula 1: Drive to Survive, Netflix review - thrilling documentary series wreaks havoc in the paddock

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Beauty Laid Bare, BBC One review - a facial peel for the cosmetics business

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Escape from Pretoria review - fun but facile prison-break drama

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The Trip to Greece, Sky 1 review - jokes, jibes and indigestion in the footsteps of Odysseus

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Liar, Series 2, ITV review - more crime-by-numbers from the Williams brothers

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The Windsors, Series 3, Channel 4 review - perfect timing for return of the bogus royals

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Back in Time for the Corner Shop, BBC Two review - open all hours with the Ardern family

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Flesh and Blood, ITV review - Vivien's new love affair throws a cat among the family pigeons

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Locke & Key, Netflix review - comic book adaptation struggles to find its focus

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Hunters, Amazon Prime review - bringing God's justice to Nazis in America

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The Call of the Wild review - how big-hearted Buck became leader of the pack

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How To Stay out of Jail, Channel 4 review – a bold rehabilitation programme from Durham police

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Royal History's Biggest Fibs with Lucy Worsley, BBC Four review - is this version more valid than anyone else's?

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The Stranger, Netflix review - strong cast grapples with labyrinthine plotting

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The Split, Series 2, BBC One review - where the law and family fortunes collide

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...