wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Giri/Haji, BBC Two review - inspired Anglo-Japanese thriller makes compulsive viewing

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Lenny Henry's Race Through Comedy, Gold review - illuminating account of TV's struggle to become multicultural

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Chaos in the Cockpit: Flights from Hell, Channel 5 review - do we really want to watch plane-wreck TV?

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LFF 2019: Le Mans '66 review - Matt Damon, Christian Bale and the Ford Motor Company go to war

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American Woman review - leading lady Sienna Miller moves up a gear

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Doing Drugs for Fun, Channel 5 review - why the cocaine trade is no laughing matter

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The Great British Bake Off, Episode 7, Channel 4 review - bakers hampered by pointless celebrities

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LFF 2019: The King review - head conquers heart in Shakespeare adaptation

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The Capture, Episode 5, BBC One review - the man who knew too much

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Snackmasters, Channel 4 review - superchefs take the clone-a-KitKat challenge

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World on Fire, BBC One review - more melodrama than drama

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My Life is Murder, Alibi review - whimsical tales of detection from Down Under

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Saving Lives at Sea, BBC Two review - derring-do on the ocean wave with the RNLI

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The $50m Art Swindle, BBC Two review - ramblin' gamblin' man comes home to roost

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The Cameron Years, BBC One review - quite interesting but a bit boring

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City on a Hill, Sky Atlantic review - power, corruption and larceny in 1990s Boston

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...