wed 18/06/2025

New Music Reviews

Music Reissues Weekly: The Sun Shines Here - The Roots Of Indie-Pop 1980-1984

Kieron Tyler

The Sun Shines Here - The Roots Of Indie-Pop 1980-1984 is three-CD set in a clamshell box with 74 tracks. The opener is “Better Scream”, January 1980’s debut single from Wah Heat!

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Black String, Grand Junction review – storm-force intensity

Tim Cumming

If you were looking for a word to describe Black String in performance at Grand Junction in Paddington, before the high altar of the church of St Mary Magdalene, itself a pinnacle of Victorian neo-Gothic bravura, then that word would be “intense”. Intensely intense. More intense than a blooming bank of Intensia.

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Sports Team, SWG3, Glasgow review - entertaining, but not always original

Jonathan Geddes

It may go against rock n’ roll cliché, but occasionally there is merit to good time keeping for a band. Lucia and the Best Boys saw their support slot in their home town of Glasgow reach an ignominious ending when they were cut off a song early, vocalist Lucia Fairfull’s chat having seen the glam synth pop group go over their allocated slot.

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Justin Adams and Mauro Durante, The Green Note review - fiery duo in an intimate space

mark Kidel

Two men trade licks: one of them delves into the heart of the blues, a potent dose of the boogie, the medicinal music of the Mississipi Delta.

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The Rolling Stones’ Tattoo You at 40

Tim Cumming

As The Rolling Stones – sans a much-missed Charlie Watts – generate old fashioned, 20th-century rock'n'roll excitement in the stadiums of north America this autumn, their final great studio album, 1981’s ...

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Field Music, Francis Lung, Electric Ballroom review - neither band is capable of standing still

Kieron Tyler

Forty five minutes into their set Field Music play “A House is Not a Home”, from their 2006 second album Tones of Town. An hour in, “Them That do Nothing” from 2010’s Measure is aired. They end with “Orion From the Street”, the opening track from their recent Flat White Moon album.

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Music Reissues Weekly: Graham Collier - British Conversations

Kieron Tyler

Over 1974 to 1978 Graham Collier issued five albums on his own imprint Mosaic. There was another in 1985 and eight releases on Mosaic by other musicians, but for its first four years the imprint was dominated by the British jazz composer, bassist and bandleader’s own work.

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Laura Marling, Roundhouse review - simple and compelling

Katie Colombus

Laura Marling was one of the most active lockdown performance artists, doing her bit to play solo streams to a captive and culturally starved virtual audience.

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Fontaines DC, Barrowland, Glasgow review - flowers and football terrace anthems from triumphant Dublin quintet

Jonathan Geddes

Upon emerging onstage at the Barrowland, Fontaines DC took time to pass flowers into the crowd. Aside from the occasional thank-you later on, that was the only genteel note struck in a thrilling, compelling and often bruising set. Their last visit to Glasgow back in 2019 had been hindered at times by some dubious sound, but there were no such issues here. Instead, this was a group in control throughout, pacing the set well and sounding rousingly triumphant by the night’s end.

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Rufus Wainwright, London Palladium review - superb musicianship and a warm welcome

Liz Thomson

Rufus Wainwright believes opera to be “the greatest art form that has ever existed on the planet” and of course he’s written an opera himself – Prima Donna, which has been described as “the work of a man who loves opera and the sensations it delivers, without understanding how it is paced, or how it generates dramatic tension”.

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