fri 13/06/2025

New Music Reviews

Album: Mary Halvorson - About Ghosts

Kieron Tyler

Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first time her playing really leaps out on her new album is during second cut “Carved Form,” where it weaves through the arrangement. A guitar solo arrives just over a minute in: precise yet slippery, it complements the early space-age feel of the Pocket Piano synthesiser she also contributes to the track.

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Eva Quartet, St Cyprian's review - polyphonic bliss

Tim Cumming

Eva Quartet are four outstanding Bulgarian voices of polyphonic purity and depth, drawn from the legendary choir Le Mystere des Voix Bulgares, who guested on Kate Bush’s classic Eighties album The Sensual World.

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Music Reissues Weekly: Gather In The Mushrooms

Kieron Tyler

“Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather In The Mushrooms, compiler, author and Saint Etienne member Bob Stanley says it is “as evocative as its title. The song has a deeply wooded sound, like a cross between Serge Gainsbourg’s “Ballade de Melody Nelson” and Ralph Vaughan Williams.” To this can be added the brooding, dramatic melancholy of Scott Walker’s “The Seventh Seal.”

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theartsdesk in Fes - world music central

Peter Culshaw

With WOMAD not happening this year, where could one go for a feast of global sounds? Fes in Morocco has been presenting its sacred music festival for 29 years. I’ve been several times and although this wasn’t an absolute classic, it was as ever, full of extraordinary moments. 

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Songhoy Blues, Hare & Hounds, Birmingham review - West African crew raise the roof

Guy Oddy

No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music over attention-grabbing and ill-conceived populist policies. Mali’s Songhoy Blues, unfortunately, have now found themselves at the receiving end of such nonsense.

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Music Reissues Weekly: Pete Shelley - Homosapien, XL-1

Kieron Tyler

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the Manchester band which had been integral to British punk since 1976, the other members thought it was still a going concern. Shelley had reached a different conclusion.

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Alan Sparhawk, EartH Theatre review - an absorbing game of two halves from the former Low mainstay

Kieron Tyler

For the first half-hour of this show – on the day before the release of his new album Alan Sparhawk With Trampled by Turtles – Alan Sparhawk moves ceaselessly. Whirling, arms sweeping like the sails of a windmill, gliding across the stage. He sings, his voice treated: auto-tuned, pitch-shifted. The only breaks come with momentary pauses to set rhythm tracks for the next song. Then, off again.

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Album: Garbage - Let All That We Imagine Be The Light

Ibi Keita

Garbage’s eighth album, Let All That We Imagine Be the Light, arrives with weighty intentions and a strong sense of purpose, but the end result feels more admirable than truly compelling. While the band still knows how to craft polished, politically aware alt-rock, the album often plays it safe musically, lacking the punch or experimentation that once defined them.

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theartsdesk on Vinyl 90: Small Faces, ESKA, Luvcat, Dope Lemon, Celia Cruz, Monolake and more

Thomas H Green

VINYL OF THE MONTH

Emily Saunders Moon Shifts Oceans (The Mix Sounds)

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Music Reissues Weekly: Johnnie Taylor - Who's Making Love The Stax Singles 1966-1970

Kieron Tyler

Johnnie Taylor’s big break came with the ever-fabulous September 1968 single “Who's Making Love.” His ninth 45 for the Stax label, it went Top Ten on the Billboard Hot 100. Up to this point, the Arkansas-born singer had been on the R&B charts only. Hitting the mainstream countdown had taken a while: Taylor’s first solo single had been issued in April 1961.

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