New Music Reviews
Pixies, O2 Academy, Birmingham review - indie veterans pack the houseThursday, 22 May 2025
Pixies might just be the ultimate Radio 6 Dad band. They’ve been around (on-and-off) for around 40 years; they’ve got a fine back catalogue of slightly weird, guitar-driven scuzzy rock music and they have absolutely no pretentions to being flash at all. Read more... |
The Great Escape Festival 2025, Brighton review - a feast of music from across the worldTuesday, 20 May 2025
Photographer Finetime and I have our first pints outside Dalton’s, a bar on Brighton seafront, at almost exactly midday. They are Beavertown Neck Oil IPA at 4.3%. The sun is out, glinting off the sea. Feels like the calm before the storm. Read more... |
Music Reissues Weekly: Chapterhouse - White House DemosSunday, 18 May 2025
Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on sale in 20 years’ time. To leave something behind when we die." That was September 1990, in a piece tied-in to their soon-to-be-issued debut single. Read more... |
Songlines Encounters, Kings Place review - West African and Anatolian magicSaturday, 17 May 2025
Songlines Encounters is your round-the-world ticket to great world music and performances, a chance to travel widely in music and culture without the burden of check-ins, passport control, flight delays, or transfers. Read more... |
The Great Escape Festival 2025, Brighton review - a dip into ThursdayFriday, 16 May 2025
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on Spotify”, it’s also a great time for those who relish gigs by new talent from all over the world. For three days (four, if you count warm-up Wednesday), every nook and cranny has half-hour showcases running from lunchtime until close. And on top of that are the freebie Alternative Escape fringe events. Read more... |
Lucy Farrell, Catherine MacLellan, The Green Note review - sublime frequenciesThursday, 15 May 2025
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We Are Only Sound, was released in 2023, divides her time between the UK – she’s a native of Kent – and Prince Edward Island, a musically rich parcel of land off Canada’s eastern seaboard. The island is home to the other half of this sublime folk-acoustic double bill, Juno Award-winning songwriter Catherine MacLellan. Read more... |
PUP, SWG3, Glasgow review - controlled chaos from Canadian punksTuesday, 13 May 2025
According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK and European tour. Given the band’s well-known habit for disagreements and teetering on the edge of imploding, that might have been a wise decision. It didn’t affect the show itself, for while the group’s history is littered with chaos, this was a lively but controlled display. Read more... |
Music Reissues Weekly: Roots Rocking ZimbabweSunday, 11 May 2025
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is unfamiliar. The angular drum groove edges towards a 5/8 shuffle. The circularity of the guitar suggests Congolese rumba. Funk, but outside recognised templates. Read more... |
Supergrass, Barrowland, Glasgow review - nostalgia played with youthful energySaturday, 10 May 2025
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old dancefloor, and during the encore a pair of excitable, bouncing teenagers turned around and started bellowing for their dad, off on the sidelines, to join in pogoing. He declined, but was singing along with vigour nonetheless. Read more... |
Louis Cole, Roundhouse review - nothing is everythingSaturday, 10 May 2025
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album nothing – his fifth album and third on Brainfeeder. This one-night-only performance, featuring Cole on drums and keys with an orchestra conducted by Jules Buckley, delivered electrifying musicianship, fascinating stylistic mash-ups, and melodies that imprinted themselves on your consciousness. Read more... |
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