New Music Reviews
Album: Hiss Golden Messenger - O Come All Ye FaithfulThursday, 09 December 2021
Irrespective of its seasonal nature, the thread running throughout O Come All Ye Faithful is a mood of contemplation which could colour any of Hiss Golden Messenger main-man M. C. Taylor’s albums. Read more... |
Madness and Squeeze, Brighton Centre review - enjoyable annual December nostalgia rompWednesday, 08 December 2021
Madness frontman Suggs is asking the capacity crowd at the Brighton Centre if any of them are in school-age education. Quite a few are. There are actual young people here! Some are with parents (even, possibly, grandparents), but gaggles of teenagers are also in evidence on their own. They shout out. Read more... |
Music Reissues Weekly: Once Upon A Time In The West Midlands - The Bostin’ Sounds of Brumrock 1966-1974Sunday, 05 December 2021
The picture seen above doesn’t have quite the same resonance as Art Kane’s 1958 shot A Great Day in Harlem which brought 57 American jazz musicians in front of his lens, but it is nonetheless significant. Here, in 1971, is an evocative, unique record of a moment in West Midlands music history. Read more... |
Hedvig Mollestad, National Jazz Scene, Oslo review - watch out, there’s a storm aboutThursday, 02 December 2021
The opening moments don’t suggest what’s coming. A solo flute is followed by a few spoken phrases from a treated voice. What’s being said? It’s impossible to work it out. Is it a warning? An electric guitar’s strings are stroked with a cello bow. Then, other instruments enter the picture – shimmering electric piano, a trio of saxes, pitter-pat, raindrop percussion, throbbing bass guitar. Read more... |
Paul Weller, Barrowland, Glasgow review - Modfather holding back father time with old and new tricksWednesday, 01 December 2021
There was a brief lapse in this lengthy set when Paul Weller stood up from the piano, walked towards centre stage and then pivoted back the way he came, having realised he was moving a song too early. “That’s the trouble with getting old, you forget shit” observed the 63-year-old drily, but the two hour set itself was a testament to Weller’s continued creativity, if also his stubbornness too. Read more... |
theartsdesk on Vinyl 67: Squid, The Beatles, Beach Riot, Black Sabbath, Quantic, Heiko Maile and moreWednesday, 01 December 2021
The first of two December round-ups from theartsdesk on Vinyl runs the gamut from folk-tronic oddness to Seventies heavy rock to avant-jazz to The Beatles, as well as much else. All musical life is here... except the crap stuff. So dive in! VINYL OF THE MONTH Read more... |
Album: Kenny G - New StandardsMonday, 29 November 2021
Saxophonist Kenny G knows exactly what buttons he needs to press to upset the jazz faithful. He is quoted as having said of his new album New Standards (Concord): “The jazz community is gonna hate it. And that doesn’t concern me.” Read more... |
Music Reissues Weekly: Box Of Pin-Ups - The British Sounds of 1965, Think I'm Going Weird - Original Artefacts From The British Psychedelic Scene 1966-68Sunday, 28 November 2021
Signs of irrevocable change materialised in December 1965. On Wednesday the 8th, a new band named The 13th Floor Elevators debuted live at The Jade Room in Austin, Texas. Band members prepared for the experience by taking LSD in the run-up to the booking. Read more... |
Pigs Pigs Pigs Pigs Pigs Pigs Pigs, The Mill, Birmingham review – Geordie rockers blow the roof offSaturday, 27 November 2021
When those cold winter nights start closing in, there is really only two choices for facing up to the unpleasantness that this brings. Stay at home, batten down the hatches, whack up the heating and blow the expense. Or go out and immerse yourself in some hot and sweaty rock’n’roll. Read more... |
Album: Nell & The Flaming Lips - Where The Viaduct LoomsWednesday, 24 November 2021
Initially, it’s about the voice. Thirteen seconds into the first track, it arrives: close-to disembodied, delivering lyrics as if they were a psalm, yet still melodic. Just over a minute in, there’s a shift into an ascending-descending chorus. The instrumentation is a gauzy wash, adroitly balancing the impressionistic with an understated rhythmic bed. Read more... |
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