thu 11/09/2025

New Music Reviews

Mdou Moctar, Hare & Hounds, Birmingham review - Tuareg rock’n’rollers have their audience entranced

Guy Oddy

It doesn’t happen very often that I find myself experiencing a performance of music that I don’t really know, sung in a language that I don’t speak – and completely entranced by what’s going on. But prior to this week, Mdou Moctar was a bit of an unknown quantity to me.

Read more...

10cc, London Palladium review - still firing rubber bullets 50 years on

Jasper Rees

What a remarkable band 10cc were. For most of the 1970s they made highly unusual pop that careered without a care between bubblegum and prog. Their ease migrating across style lines from Pythonesque japes to dense seriosity lay in the personnel: four bandleaders who all brought a sensibility to a democratic collective.

Read more...

Killing Joke, O2 Institute, Birmingham review – post-punk titans blow the roof off

Guy Oddy

It’s said that even a stopped clock tells the right time twice a day. While Killing Joke are by no means a stopped clock, it feels that the time is again ripe for their politics-heavy brand of muscular post-punk.

Read more...

Music Reissues Weekly: The Prefects - Live At The Festival Suite 1978, Un-Scene! Post Punk Birmingham 1978-1982

Kieron Tyler

It was going to be great. Birmingham’s Digbeth Rag Market was hosting 1977’s highest-profile punk festival on 17 July. The Clash were headlining. Also billed were The Heartbreakers, Rich Kids, The Saints, Shagnasty, Stinky Toys, Subway Sect and Tanya Hyde & the Tormentors.

Read more...

Sophie Ellis-Bextor, Royal Concert Hall, Glasgow review - pop songstress partying like it's 2020

Jonathan Geddes

There are few people, especially musicians, who would wish to revisit the spring and summer of 2020 with any fondness, but Sophie Ellis-Bextor might be an exception. Her kitchen discos, in which she and her husband Richard Jones, aided by their children, played a variety of covers became a lockdown source of solace and regular entertainment at a time when it was much needed.

Read more...

Music Reissues Weekly: All Turned On! Motown Instrumentals 1960-1972

Kieron Tyler

Motown and its related labels have been heavily collected and meticulously scrutinised since the early Sixties. There ought to be nothing left to say. Yet here this is, a smart, 24-track collection of Motown instros which includes five previously unreleased tracks.

Read more...

The Weather Station, Scala review - communion achieved against the odds

Kieron Tyler

Acknowledging the contrast between personal and public situations, The Weather Station’s Tamara Lindeman says “I have a lot of songs about not being heard, yet I’m holding this microphone.” An individual’s voice can be ignored, but if it’s given a context which enables reaching out – it may be heard.

Read more...

Dream Wife, St Lukes and the Winged Ox, Glasgow review - an exhilarating reminder of live music's power

Jonathan Geddes

Rakel Mjöll has a nice line in understatement. “We released this album in July 2020”, she said at one point, referring to her band’s sophomore record “So When You Gonna...” before adding, dryly, “which wasn’t the best time”. Finally, nearly two years later, Dream Wife have managed to get out on the road and actually tour those songs, and, thankfully, this was an evening worth the wait.

Read more...

Album: Maridalen - Bortenfor

Kieron Tyler

At first, Bortenfor comes across as an all-instrumental extended mood piece. A breathy saxophone and trumpet mesh over a gently see-sawing double bass. Clusters of piano notes occasionally intersperse themselves into the undulating textures. A pedal steel evokes shimmering water.

Read more...

Wardruna, Symphony Hall, Birmingham review - Norwegian neo-pagans stage a triumphant return to the live arena

Guy Oddy

It’s been 14 months since the release of Wardruna’s most recent album – Kvitravn. However, repeated waves of Covid have since prevented them from going a-viking and bringing their new show to live audiences around the UK.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Album: Baxter Dury - Allbarone

Quite why Baxter Dury isn't already a national treasure is a mystery to me. Not for his nepo connections but...

Lammermuir Festival 2025 review - music with soul from the h...

One piece that you’re unlikely to hear at the Lammermuir Festival is Lucia di Lammermoor. As co-director James Waters explained during a...

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

A lot is going on during Yasmine Hamdan’s third solo album. Despite all ten songs of I Remember I Forget بنسى وبتذكر drawing from the...

BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Ora...

My final visit to the Proms for this year was a Sunday double-...

Honey Don’t! review - film noir in the bright sun

The Coen brothers’ output has been so broad-ranging, and the duo so self-deprecating, that critics have long had difficulty getting their arms...

Blu-ray: The Sweeney - Series One

You’ll have absorbed key strands of The Sweeney‘s DNA even if you’ve never watched an episode, ITV’s groundbreaking police drama having...

theartsdesk on Vinyl 92: Marianne Faithful, Crayola Lectern,...

VINYL OF THE MONTH

Black Lips Season of the Peach (Fire)

...

Blondshell, Queen Margaret Union, Glasgow review - woozy roc...

There is such nonchalance with Sabrina Teitelbaum that even her appeals to the crowd appeared laid-back. At points during her set the Los Angeles...

Ganavya, Barbican review - low-key spirituality

At the start or her show, the white-robed singer Ganavya does something unusual: while other performers usually warm their audience up before...