wed 18/06/2025

New Music Reviews

Paul Weller, Barrowland, Glasgow review - Modfather holding back father time with old and new tricks

Jonathan Geddes

There was a brief lapse in this lengthy set when Paul Weller stood up from the piano, walked towards centre stage and then pivoted back the way he came, having realised he was moving a song too early. “That’s the trouble with getting old, you forget shit” observed the 63-year-old drily, but the two hour set itself was a testament to Weller’s continued creativity, if also his stubbornness too.

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theartsdesk on Vinyl 67: Squid, The Beatles, Beach Riot, Black Sabbath, Quantic, Heiko Maile and more

Thomas H Green

The first of two December round-ups from theartsdesk on Vinyl runs the gamut from folk-tronic oddness to Seventies heavy rock to avant-jazz to The Beatles, as well as much else. All musical life is here... except the crap stuff. So dive in!

VINYL OF THE MONTH

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Album: Kenny G - New Standards

Sebastian Scotney

Saxophonist Kenny G knows exactly what buttons he needs to press to upset the jazz faithful. He is quoted as having said of his new album New Standards (Concord): “The jazz community is gonna hate it. And that doesn’t concern me.”

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Music Reissues Weekly: Box Of Pin-Ups - The British Sounds of 1965, Think I'm Going Weird - Original Artefacts From The British Psychedelic Scene 1966-68

Kieron Tyler

Signs of irrevocable change materialised in December 1965. On Wednesday the 8th, a new band named The 13th Floor Elevators debuted live at The Jade Room in Austin, Texas. Band members prepared for the experience by taking LSD in the run-up to the booking.

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Pigs Pigs Pigs Pigs Pigs Pigs Pigs, The Mill, Birmingham review – Geordie rockers blow the roof off

Guy Oddy

When those cold winter nights start closing in, there is really only two choices for facing up to the unpleasantness that this brings. Stay at home, batten down the hatches, whack up the heating and blow the expense. Or go out and immerse yourself in some hot and sweaty rock’n’roll.

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Album: Nell & The Flaming Lips - Where The Viaduct Looms

Kieron Tyler

Initially, it’s about the voice. Thirteen seconds into the first track, it arrives: close-to disembodied, delivering lyrics as if they were a psalm, yet still melodic. Just over a minute in, there’s a shift into an ascending-descending chorus. The instrumentation is a gauzy wash, adroitly balancing the impressionistic with an understated rhythmic bed.

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Grace Petrie, Summerhall, Edinburgh review - songs of solidarity

Lisa-Marie Ferla

“How to explain Theresa May?” Grace Petrie muses from the Summerhall stage as she introduces decade-old opener “Farewell To Welfare”. “Well, in 2010, she was as bad as we thought it was going to get.”

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Music Reissues Weekly: Lenny Kaye Presents Lightning Striking

Kieron Tyler

The premise driving Lenny Kaye Presents Lightning Striking is the idea that, as it’s put here, “transformative moments in rock ’n’ roll” not only happen at a particular time but in particular places too. Somewhere struck by that lightning at a certain point becomes pivotal, influential and a node from which influences ripple outward – impacting on the next such strike.

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Soweto Kinch, LSO / 'London Third Stream', London Sinfonietta, EFG London Jazz Festival review - projects from the political to the loop-y

Sebastian Scotney

“Take Jazz Seriously,” wrote Maurice Ravel after his American trip in 1928. This past week of the 2021 EFG London Jazz Festival has seen that advice itself being taken seriously, with a bunching of projects and premieres. Jazz musicians have been welcomed in to work with London orchestras. The fruition of months of preparatory work has been on show.

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Cécile McLorin Salvant, EFG London Jazz Festival review - strength, vulnerability and humour

peter Quinn

A fascinating song list that juxtaposed originals with musical theatre, pop songs, Brazilian music and more.

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