New Music Reviews
Sophie Ellis-Bextor, Royal Concert Hall, Glasgow review - pop songstress partying like it's 2020Tuesday, 29 March 2022
There are few people, especially musicians, who would wish to revisit the spring and summer of 2020 with any fondness, but Sophie Ellis-Bextor might be an exception. Her kitchen discos, in which she and her husband Richard Jones, aided by their children, played a variety of covers became a lockdown source of solace and regular entertainment at a time when it was much needed. Read more... |
Music Reissues Weekly: All Turned On! Motown Instrumentals 1960-1972Sunday, 27 March 2022
Motown and its related labels have been heavily collected and meticulously scrutinised since the early Sixties. There ought to be nothing left to say. Yet here this is, a smart, 24-track collection of Motown instros which includes five previously unreleased tracks. Read more... |
The Weather Station, Scala review - communion achieved against the oddsThursday, 24 March 2022
Acknowledging the contrast between personal and public situations, The Weather Station’s Tamara Lindeman says “I have a lot of songs about not being heard, yet I’m holding this microphone.” An individual’s voice can be ignored, but if it’s given a context which enables reaching out – it may be heard. Read more... |
Dream Wife, St Lukes and the Winged Ox, Glasgow review - an exhilarating reminder of live music's powerThursday, 24 March 2022
Rakel Mjöll has a nice line in understatement. “We released this album in July 2020”, she said at one point, referring to her band’s sophomore record “So When You Gonna...” before adding, dryly, “which wasn’t the best time”. Finally, nearly two years later, Dream Wife have managed to get out on the road and actually tour those songs, and, thankfully, this was an evening worth the wait. Read more... |
Album: Maridalen - BortenforThursday, 24 March 2022
At first, Bortenfor comes across as an all-instrumental extended mood piece. A breathy saxophone and trumpet mesh over a gently see-sawing double bass. Clusters of piano notes occasionally intersperse themselves into the undulating textures. A pedal steel evokes shimmering water. Read more... |
Wardruna, Symphony Hall, Birmingham review - Norwegian neo-pagans stage a triumphant return to the live arenaWednesday, 23 March 2022
It’s been 14 months since the release of Wardruna’s most recent album – Kvitravn. However, repeated waves of Covid have since prevented them from going a-viking and bringing their new show to live audiences around the UK. Read more... |
The Coral, Barrowland, Glasgow review - pop experimentalists prove overly smoothMonday, 21 March 2022
Even blessed with youthful confidence, when the Coral first stepped out on the Barrowland stage 21 years ago to support the late, great Joe Strummer it’s hard to imagine they could have foreseen that they’d be able to return to the same stage over two decades later. Read more... |
Music Reissues Weekly: Theatre Of Hate - OmensSunday, 20 March 2022
During the first week of February 1982, Theatre Of Hate got as close to the mainstream as they’d ever get. They opened that week’s edition of Top of the Pops with a run through of “Do You Believe in the Westworld?” which was then at 40 in the Top 40 – the highest position they’d reach in the single’s chart. Read more... |
White Lies, SWG3, Glasgow review - indie veterans get their groove onThursday, 17 March 2022
White Lies began their set as many bands would end it, with a familiar hit ringing out and an explosion of confetti over the crowd. Such a tactic made you wonder if the three-piece would peak too soon here, mirroring the band’s commercial fortunes over a now lengthy career. First came a chart-topping album, then a series of mostly well regarded follow-ups that have slipped down the charts each time. Thankfully, and at times, surprisingly, the opposite was true. Read more... |
L'Impératrice, O2 Shepherds Bush review - delayed gratificationWednesday, 16 March 2022
Born in the bedroom of keyboard player Charles de Boisseguin, bathed in a sleek, quintessentially French tradition of electro-pop, L’Impératrice materialised on the darkened stage at the O2 Shepherds Bush, with glowing hearts beating in unison on their chests. Read more... |
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