thu 19/06/2025

New Music Reviews

Emeli Sandé, Usher Hall, Edinburgh

Michael Stephen

Only an April fool would deny Emeli Sandé her right to rule as the home-grown pocket diva for the Smartphone generation. The current elfin queen of the UK pop charts took the stage in Edinburgh last night having already won over her capacity crowd on Amazon, i-Tunes and in miles of supermarket aisles.

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Reissue CDs Weekly: Simple Minds, Klaus Dinger, The Primitives, Transvision Vamp

Kieron Tyler


Simple Minds Celebrate The Greatest Hits +Simple Minds: Celebrate – The Greatest Hits +

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Mari Wilson, The Komedia, Brighton

Thomas H Green

Long before Amy Winehouse, there was a north London retro soul'n'jazz girl with a beehive hairdo making inroads into the Top 40. However, after a short run of hits in the early Eighties Mari Wilson never achieved the epic popularity of her dark-haired successor. Thus we find her in a Brighton basement playing a cruise ship set to a chicken-in-a-basket audience.

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Noel Gallagher, Damon Albarn, Graham Coxon, Royal Albert Hall

Bruce Dessau

"Noel. Noel." Damon Albarn had to shout twice before Noel Gallagher joined him onstage to strum his guitar during Blur's neo-bluesy "Tender". Maybe Albarn's former Britpop rival wanted their historic musical union to take just a little bit longer. Maybe he wanted Albarn to wait just to assert himself. Or maybe after all these years of standing between very loud bands and very loud audiences he is a little deaf. But it happened.

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Reissue CDs Weekly: Stephen Stills

Adam Sweeting

 

Stephen Stills: Carry On

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Mark Lockheart, Kings Place

peter Quinn

Suddenly, it's raining Duke Ellington homages. Stateside, there's Terri Lyne Carrington's Money Jungle: Provocative in Blue, a brilliant reimagining of Ellington's classic 1963 trio recording with Charles Mingus and Max Roach that recently hit the top spot on the JazzWeek radio chart.

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Tomatito, Sadler's Wells

james Woodall

He looks the part: straggly, desert hair and haunted fizzog. He sounds the part: opening dry rhythmic strumming over unchorded strings; acrobatic trills; percussive attack. Flanked on the left by two singers, Kiki Cortinas and Simón Román, and a shadowy dancer, Paloma Fantova, and on the right by second guitarist El Cristi and percussionst Israel Suárez, this flamenco stalwart decked out the Sadler’s Wells stage with the requisite musical equipment.

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David Bowie Is, Victoria & Albert Museum

howard Male

How much more of a melancholy experience walking round this exhibition would have been if its subject hadn’t just sprung a new album on us that’s so suffused with energy and life. It’s meant that the exhibition's title - David Bowie Is – feels like a genuine statement of fact rather than just wishful thinking, at least in the literal sense.

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Reissue CDs Weekly: Bernard Herrmann, Jamiroquai, The Who, Lee Hazlewood

Kieron Tyler


Bernard Herrmann Vertigo and Music From the Films of Alfred HitchcockBernard Herrmann: Vertigo and Music From the Films of Alfred Hitchcock

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Rick Redbeard, Electric Circus, Edinburgh

graeme Thomson

Rick Redbeard has a pirate’s name and a voice like deep, dark water. Behind the colourful alter ego stands (or, as was the case last night, sits) Rick Anthony, singer of The Phantom Band, the Scottish six-piece whose two albums – Checkmate Savage and The Wants – have recently stretched the admittedly painfully limited parameters of contemporary rock music to thrilling extremes.

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