thu 19/06/2025

New Music Reviews

Beyoncé, O2

Veronica Lee

Oh my goodness but that Mrs Carter knows how to entertain. Sparkles, glitter, flames, fireworks and costumes galore: The Mrs Carter Show had the lot and so much more. A tight eight-piece band, 10 dancers, three backing singers and extraordinary lighting effects - not to mention Beyoncé's honey voice, her sexy swagger and all-round bootyliciousness - made for a thrilling two hours in a cavernous space that she made feel almost intimate.

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Just in From Scandinavia: Nordic Music Round-Up 7

Kieron Tyler

Continuing its voyage through Scandinavia’s music, theartsdesk opens the latest chapter in Norway with Still Life With Eggplant, the 16th album from Trondheim’s prolific, long-lived, occasionally challenging and always vital Motorpsycho.

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Mick Hucknall, Hammersmith Apollo

Bruce Dessau

There was a point about two-thirds of the way through last night's gig when someone lobbed something onto the stage in front of Mick Hucknall. It was not clear exactly what it was due to the sea of dancing mums in front of me, but my strong suspicion is that it was something made of lace and worn below the waist judging by Hucknall's bemused declaration: "That's Tom Jones's department."

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Reissue CDs Weekly: Killing Joke, Motown, Bob Marley, The Winkies

Kieron Tyler


Killing Joke The Singles 1979-2012Killing Joke: The Singles Collection 1979-2012

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Alice in Chains, The Fillmore, Miami

Garth Cartwright

Reformed rock bands may be ten-a-penny but no other return quite matches the resurrection of Alice In Chains. The first grunge band to break big with their 1990 debut album Facelift, Alice In Chains matched Nirvana both in their ability to marry heavy riffs with haunted melodies and a genuinely desperate sense of despair: on Facelift they sang "We Die Young" while 1992’s Dirt finds nearly every song mined with self loathing alongside odes to heroin.

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Liane Carroll, Pizza Express Jazz Club

peter Quinn

Some vocal jazz can be so anodyne that it barely registers on your consciousness, as anyone who's ever heard a jazz wannabe dusting down “My Funny Valentine” will know. A Liane Carroll gig, on the other hand, offers a roller coaster ride of emotions: joy, pain, hope, loss. With the ability to make every song sound like a personal experience, Carroll is one of the few singers who can make your spine tingle for an entire set.

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Karl Hyde, Union Chapel Islington

joe Muggs

I have to admit I was That Hipster with Underworld: loved them circa 1991, stopped being intensely interested around the first album, diverged almost completely after “Born Slippy” went supernova circa 1995.

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Pink, O2 Arena

Russ Coffey

On Monday, Pink shocked Twitter followers by announcing she was pulling out of a gig at Birmingham’s LG Arena. A lung infection had confined her to the hotel. “She better get well soon,” said one fan. “I’d die if she cancelled at the O2.” She didn’t, of course. Whether due to an awful lot of oranges or sheer guts she arrived on stage last night, catapulted by giant bungee cords.

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CD: Kit Downes - Light From Old Stars

peter Quinn

The CD booklet note by NASA astrobiologist Daniella Scalice is just the first of many striking features on this third Basho CD by the Mercury Prize-nominated pianist Kit Downes. Joined by his core trio of bassist Calum Gourlay and drummer James Maddren (both fellow alumni of the Royal Academy of Music), plus reeds player James Allsopp and cellist Lucy Railton, Light From Old Stars sees Downes really getting into his compositional stride.

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Orpheus, Battersea Arts Centre

Sebastian Scotney

Orpheus, set in an imaginary Paris in the 1930s, delivers an unashamedly escapist and a quite delightful evening's entertainment. The Orpheus myth is often a pretext for fantasy or fun. Maybe the original, tragic tale is just too unremittingly dark and poignant.

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