Film Reviews
Nomadland review - on the road in the American WestFriday, 21 May 2021
Fern (a luminous Frances McDormand) used to work in HR. Now, aged 62, she’s harvesting sugarbeets, hauling rocks, cleaning toilets in a trailer park and doing shifts in an Amazon warehouse. And she’s living out of her camper van, a shabby, lovingly restored RV she calls Vanguard. “I’m not homeless, I’m houseless,” she says, driving through vast Western landscapes under spectacular skies. Read more... |
Rare Beasts review - Billie Piper as triple threatThursday, 20 May 2021
Emotions don't come in half-measures in Rare Beasts, with which Billie Piper makes a commendably edgy debut as writer-director onscreen while affording herself a stonking star part. Read more... |
Army of the Dead review - triumphant return to zombieland by director Zack SnyderWednesday, 19 May 2021
Zack Snyder’s CV includes such fantastic fare as Watchmen, 300, Man of Steel and his career-launching zombie-fest Dawn of the Dead, so who better to helm a zombies-in-Vegas heist movie? Read more... |
The Human Voice review - an intense half-hour that pulls no punchesWednesday, 19 May 2021
I wonder how many relationships have foundered during lockdown and how many have suffered the humiliation of being dumped over the phone or via social media? Read more... |
Ferry review - the making of a Dutch gangsterMonday, 17 May 2021
Success for the Belgian-Dutch crime series Undercover has led Netflix to produce an origin story for the show’s drug lord character Ferry Bouman (Frank Lammers). While this may be a dream come true for a portion of the show’s diehard fans, this formulaic movie is stalling, predictable and riddled with every gangster cliché in the book. Read more... |
The Woman in the Window review - hitching a ride with HitchSaturday, 15 May 2021
Darkest Hour may have been director Joe Wright’s finest hour, but we can say for certain that, despite its impressive cast, The Woman in the Window isn’t. Read more... |
End of Sentence review - an American father and his estranged son reconcile in IrelandSaturday, 15 May 2021
It’s not until the final moments of End of Sentence that Frank (John Hawkes) lets himself laugh – he’s swimming in the icy waters of an Irish lake - and what a relief it is to hear. Icelandic director Elfar Adalsteins’s debut feature (Sailcloth, a wordless short starring John Hurt, won several awards in 2011) is a study in family shame, masculinity and keeping things inside. Read more... |
Some Kind of Heaven review - a Florida retirement community yields its secretsThursday, 13 May 2021
In the UK, we usually get a peek inside The Villages in Florida every four years, when intrepid reporters take to their golf carts in the retirement community to test the water in presidential elections among its 132,000 residents. Their views provide a useful guide as to where the silver-haired vote stands. Read more... |
Milestone review - parable of an aging truckerMonday, 10 May 2021
Watching Milestone, a new Netflix original directed by Ivan Ayr, I was reminded of the films of the great Iranian director Abbas Kiarostami. This story about an aging truck driver facing redundancy whilst grieving for his wife attempts the still mood and loneliness that Kiarostami favoured in his quiet epics. Read more... |
Truman & Tennessee: An Intimate Conversation review - genius dogged by disappointmentSaturday, 01 May 2021
Kindred literary spirits who overlapped in any number of ways make for riveting stuff in Truman & Tennessee: An Intimate Conversation. Filmmaker Lisa Immordino Vreeland folds archival footage of the legendary writers together with recitations from their life and art spoken by Jim Parsons and Zach Read more... |
The Artist's Wife review - uninspired portrait of dementia in the HamptonsWednesday, 28 April 2021
“The only child I’ve ever had is you,” the artist’s wife (Lena Olin), spits at the artist, her considerably older husband (Bruce Dern), who retorts, “That was your goddamn choice so don’t blame it on me.” Read more... |
Oscars 2021: Sluggish, yes, but some surprises tooMonday, 26 April 2021
“God gave us 12 notes,” said Jon Batiste as he accepted the Best Score Oscar for the animated film Soul. Read more... |
Black Bear review - unexpected knotty treatMonday, 26 April 2021
We’ve all experienced the “fast food film” – enjoyable while we watch it, but realise afterwards it was an empty thrill with little nutritional value. Much rarer is the film that can only be truly appreciated once the credits roll. Black Bear, with its segmented presentation and recurring themes, is one such film. Risky, baffling, and more than the sum of its parts. Read more... |
Promising Young Woman, Sky Cinema review - Emerald Fennell's brilliant directorial debutMonday, 19 April 2021
After winning a couple of Baftas, and with five nominations at next week’s Oscars, Promising Young Woman comes surging in on the crest of a wave. Read more... |
Citizen Lane review - fascinating dramadoc about Irish arts benefactorFriday, 16 April 2021
On first sight, Citizen Lane's appeal may seem limited to those with an Irish connection or an interest in fine art. Read more... |
True Mothers review - how many people does it take to raise a child?Thursday, 15 April 2021
On the 30th floor of a Tokyo apartment building, a charming little boy brushes his teeth, watched over by his smiling mother who sings to him gently. He’s full of joy - today his dad’s coming with them on the walk to nursery school. The little family of three walk out together. All seems well – too well - in their comfortable, quiet world. Read more... |
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