thu 19/06/2025

Film Reviews

Penguin Bloom, Netflix review - stirringly acted if sentimental

Matt Wolf

Two genuinely lovely performances elevate an often-simplistic tale in Penguin Bloom, based on a 2016 memoir of the same name.

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The Dig, Netflix review - a haunting exploration of time and timelessness

Adam Sweeting

The Sutton Hoo burial site in Suffolk has proved to be one of the most valuable archaeological finds ever made in Britain, shedding priceless light on the Anglo-Saxon period of the 6th and 7th Centuries.

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Persian Lessons review - confusing Holocaust drama

Saskia Baron

This is an odd film, made even odder by a caption near the beginning, which claims it is "inspired by true events" but doesn’t elaborate. Produced in Belarus, it’s a Holocaust drama based on a novella by the veteran East German screenwriter/director Wolfgang Kohlhaase but made by the Ukrainian director Vadim Perelman.

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Quo Vadis, Aida review - a Bosnian woman confronts genocide

mark Kidel

Jasmila Žbanić’s latest film, once again about the people of her native Bosnia and Herzegovina, is hardly an easy watch. Focusing on Aida, a passionate and highly capable interpreter for the UN forces in former Yugoslavia, she unflinchingly tells the story of the 1995 massacre of well over 6000 Muslim Bosnian men and

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Baby Done review - romcom done right

Owen Richards

Romcoms. We all know the tried and tested formula: immature guy, uptight girl, they meet, they like each other, hate each other, and end up in love. It’s as reliable as it is unrealistic, and sometimes it takes a film like Baby Done to remind you there is a better way.

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76 Days review - disturbing record of the initial outbreak of Covid-19

Tom Baily

It is probable that no other document gets closer to the direct experience of frontline workers and victims of Covid-19 than the documentary 76 Days. It is also true that the film is not very enjoyable. Nor, sadly, does it feel especially unique.

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Blithe Spirit review - cloth-eared Coward

Matt Wolf

Noel Coward's 1941 comedy was one of the theatrical casualties of the first lockdown last March in a Richard Eyre-directed West End revival that aimed to mine the pain beneath this play's abundance of bons mots.

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Dear Comrades! review - Andrei Konchalovsky exposes the Soviet past

Tom Birchenough

Veteran Russian director Andrei Konchalovsky has gone back to his beginnings for his latest film.

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One Night in Miami review - black history come alive

Joseph Walsh

In 1964, Cassius Clay, NFL superstar Jim Nathaniel Brown, soul legend Sam Cooke and political firebrand Malcolm X gathered for one night in a dingy room at the Hampton Motel. It was a meeting that became a symbol of hope for black Americans.

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Pieces of a Woman review - a home birth ends in tragedy

Markie Robson-Scott

This is not a film to watch if you’re pregnant. One of the first scenes, a 24-minute continuous take of a home birth that ends in tragedy, is extraordinarily powerful and painful to watch – almost unbearable sometimes – and Vanessa Kirby as Martha, groaning and growling her way through a very realistic labour, is brilliant and unforgettable.

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Sing Me a Song review - beautiful but devastatingly sad

Sarah Kent

This is one of the saddest films I’ve ever seen. It follows the fortunes of Peyangki, an 18-year-old Buddhist monk living in a monastery high up in the mountains of Bhutan. This is the second documentary made by Thomas Balmès about this endearing young man.

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Steve McQueen: The Lost Movie, Sky Documentaries review - the classic motor racing film that never was

Adam Sweeting

The motor racing passion of movie star Steve McQueen is well documented, from his motorcycling exploits in The Great Escape to the rubber-burning car chase around San Francisco in Bullitt to his weird but mesmeric sports car odyssey Le Mans. Less widely known, however, was his plan to shoot a movie about Formula One during the mid-Sixties.

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Best of 2020: Film

theartsdesk

It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of opening and closing, the blockbusters were nowhere to be seen.

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The Woman Who Ran review - toxic male alert

Graham Fuller

The dramatic developments in The Woman Who Ran, the 24th film written and directed by Hong Sang-soo since 1996, are mild to say the least.

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Soul review - Pixar's latest film misses the cinema

Saskia Baron

Pixar's recent work raises the question, how much overt spiritual guidance do you want in your animation? In their latest film, Soul, middle-school music teacher Joe (Jamie Foxx) aspires to play New York’s famed jazz clubs but is living hand to mouth.

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Let Him Go review - melancholy family drama morphs into ferocious thriller

Adam Sweeting

The pairing of Kevin Costner and Diane Lane as Superman’s surrogate parents in Man of Steel and Batman v Superman: Dawn of Justice did not go unnoticed, and here writer/director Thomas Bezucha has reunited them as Montana residents George and Margaret Blackledge.

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